Saturday, October 25, 2014

THE VENTURES: The Best Selling Instrumental Rock Band in Music History -Interview with Don Wilson


By Ray Shasho

-Interviewed June 10th 2014

Don Wilson and The Ventures have inspired thousands of promising musicians and enthusiasts across the globe for over five decades, and many of their pupils became legendary in the music world. Ventures alumnus include… Jeff Beck, Eric Clapton, George Harrison, Jimmy Page, Stephen Stills, Joe Walsh, Joe Perry of Aerosmith, Billy Joel, Elton John, John Bonham, Mick Fleetwood, Jeff “Skunk” Baxter, Gene Simmons, and many-many more.
At 81, Don Wilson, guitarist & co-founder of the legendary rock and roll/surf band says he has no plans for slowing down any time soon. The Ventures recently concluded a lengthy tour in Japan where they are still idolized. Don and his son Tim Wilson have also initiated a new record label with promising young musicians to mentor and promote.  

THE VENTURES are the best selling instrumental rock band in music history. In 1958, the group was formed by Tacoma, Washington residents Don Wilson (rhythm and lead guitar) and Bob Bogle (lead and bass guitar). The duo’s plan was to earn a permanent living playing guitar instead of working at their hard labor construction jobs as bricklayers. They originally performed as the Impacts and the Versatones before finally settling on The Ventures.
Nokie Edwards (lead guitar) joined in 1960 and they recorded their first big hit, a Chet Atkins cover entitled “Walk, Don’t Run.” The Ventures lineup in the studio also included Skip Mooreon drums. In 1960, the song peaked at #2 on the Billboard’s single chart amid stiff competition from Chubby Checker, Roy Orbison, Elvis Presley, and Bryan Hyland. Drummer Howie Johnson replaced Moore in 1960. Mel Taylor became The Ventures permanent drummer in 1962 until his passing in 1996.

From 1960 thru 1972, The Ventures consistently toured worldwide and charted 37 albums. The group was hailed as America’s instrumental Beatles.
Some of The Ventures  hit singles include … “Telstar,” “The Lonely Bull,” “Rebel-Rouser,”“Honky Tonk,” “Let's Go,” “Pipeline,” “Walk, Don't Run,” “Tequila,” “Apache,” “Wipe-Out,”“Memphis,” “Out of Limits,” and their mega-hit … “Hawaii Five-O” (#4 on Billboard’s Singles Chart -1969), (The album reached #11 on Billboard’s album chart).
The Ventures were inducted into the Rock and Roll Hall of Fame in 2008. That same year also marked The Ventures 50th Anniversary.

Here’s a list of incredible accomplishments by The Ventures …

Rock and Roll Hall of Fame - Class of 2008
Ranked #4 among all-time instrumental artists on Billboard's Single Charts
Ranked #6 among all 1960s artists on Billboard's Album Charts
Ranked #26 among all-time artists on Billboard's Album Charts
Ranked #20 in most albums on Billboard's Album Charts with 37 
“Walk, Don't Run” is one of Rock and Roll Hall of Fame's Top 500 Hits of all time
 1960 to 1969 - Placed 14 singles on Billboard's Single Charts

Gold singles:

“Walk, Don't Run (1960), “Walk Don't Run '64” (1964), “Hawaii Five-0” (1969),

 1960 to 1972 - Placed 37 albums on Billboard's Album Charts with 5 on the charts simultaneously during 1963.

Gold albums:

Telstar and the Lonely Bull (1963), Golden Greats (1967), Hawaii Five-0 (1969)

To date, more than 450 LP and CD albums released worldwide (and still counting)
1960 to 1973 - Sold nearly 1,000,000 albums per year in the U.S.
 Japan sales approaching 40,000,000 units (and still counting)
Collective worldwide sales approaching 100,000,000 units (and still counting)
1964 - Popularized Mosrite Guitars with introduction of The Ventures Model. Today these are among the most sought after guitars, known for their tone and playability.
Successfully adapted their unique guitar style to countless changes in musical trends
Released an acclaimed set of instructional records with the Play Guitar with The Ventures series
Cited affectionately as "the group that launched a thousand bands"
Credited with popularizing rock and roll and the electric guitar in Japan
1971 - First non-Japanese artists elected to the Japanese Conservatory of Music
Jan 1987, Guitar Player magazine 20 Anniversary Issue cited Walk Don't Run as one of "20 Essential Rock Albums"
1990 - Inducted into the Washington State Music Hall of Fame
Feb 1996, Guitar magazine identified “Walk Don't Run” as one of ten 1960's albums included in “The Fifty Greatest Rock Guitar Records" (albums)
Inducted into the Hollywood Rock Walk  
Invited to participate in the Smithsonian Institution's celebration of the development of the electric guitar
Honored by Fender Guitars with a limited-edition line of Ventures Model Jazzmaster, Telecaster and Jazz Bass signature guitars
2001 - Honored by Aria Guitars with limited-edition Ventures Model guitars
2004 - Award by Japanese Ministry of Foreign Affairs for contributing to friendly relations between Japan and US. No other artists in modern music share this honor
2005 – Washington State Senate Resolution 8645 to honor The Ventures, to "recognize the contributions of those who have had a significant impact over the evolution, development and perpetuation of rock and roll"
2006 – “Walk, Don't Run” is inducted into The Grammy Hall of Fame
Numerous contributions to movie and commercial soundtracks, including ‘Pulp Fiction’ and ‘Madagascar’

The Ventures have reached over 100- Million in record sales, 14-songs that hit the singles chart, and 37 albums that charted.
The band continues to record and tour with their current lineup of …Don Wilson (rhythm guitar- co-founder 1958), Nokie Edwards (lead guitar -joined 1960), Gerry McGee (lead guitar –joined 1968), Bob Spalding (lead and bass guitar –joined 1981), Leon Taylor (drums – joined 1996 after the passing of his father Mel Taylor).

Co-founder, lead and bass guitarist Bob Bogle passed away in 2009.
Drummer Mel Taylor passed away in 1996.

I had the rare privilege of chatting with Don Wilson back in June about … The “Walk, Don’t Run" legacy … The early days of The Ventures … Their devoted Japanese fans … My infamous ‘Field of Dreams’ question …The inception of “Hawaii Five-O”… And much-much more!
Here’s my interview with The Ventures legendary guitarist, co-founder, pioneer …DON WILSON.
Ray Shasho: Hi Don how are you doing?
Don Wilson:  “I guess okay for an old man Ray. (All laughing) I celebrated my 80th birthday last year at the Hard Rock Cafe here in Seattle.”
Ray Shasho: Congratulations on your eightieth birthday and on such an illustrious career with The Ventures … simply amazing!
Don Wilson: “It really is and I’m still working. I have never missed a gig in Japan since 1962. All the other guys have but I never have. So that’s pretty cool. In Japan we’re doing 40-42 shows in sixty days and never the same place twice. So that’s a lot of travelling if you know what I mean.”
Ray Shasho: Don, I’m not sure I can do that much travelling.
Don Wilson: “I always said …I dare a twenty year old to do what I do.”
Ray Shasho:  The Ventures influenced so many legendary musicians … who were the musicians that influenced The Ventures?
Don Wilson:  “Duane Eddy when we first started was very popular, instrumental, and his stuff was easy to learn, the melodies were simple and he had about four or five hits in the late 50’s until we came along. (All laughing) But I know him and he’s a real nice guy. And of course our lead guitar player Nokie Edwards was into Chet Atkins and Les Paul. As a matter of fact when he was trying to learn Les Paul stuff he didn’t understand that it was speeded up, so that’s the way he learned it was just playing it like that. He’s a hell of a guitar player I’ll tell you that.”

"Bob Bogle … my partner when we stated the Ventures was a killer bass player. If you listen to some of the things we’ve done …my God, and he had a unique style of lead guitar, nobody plays like him, it’s a certain sound. When we got started it was just the two of us from Tacoma, Washington. When we went in to record “Walk, Don’t Run” which was our first hit in 1960, my partner and I bought two guitars at a pawnshop in late 1958 and in 1960 by learning how to play had the number two hit in the nation which was “Walk Don’t Run.” It should have been number one but this was our competition … “The Twist” -Chubby Checker, “Only the Lonely” -Roy Orbison, “It’s Now Or Never” -Elvis Presley, “Itsy Bitsy Teenie Weenie Yellow Polka Dot Bikini” -Bryan Hyland … all those songs in the Top 5 along with “Walk, Don’t Run.” We stayed at number two while they were switching back and forth to number one.”
Ray Shasho:  Did you get radio airplay help from the deejays during that time?
Don Wilson: “We had a hell of a time getting “Walk, Don’t Run” played, just an awful time because what happened was my mom was very interested in working with us and my dad was just the opposite. Our dream was to be able to support ourselves by just playing the guitar. We wanted to be able to quit our hard labor jobs in construction. My mom helped us and we started our own label called Blue Horizon and she went out and did all the legwork for us because we worked out of town a lot. She really was a big part of our success because we couldn’t do those things. So she took the record around to radio stations and they said Nah, it’s not a hit. There was a record label here called Jerdon Records, Jerry Dennon in Seattle and he said no, it’s not a hit.  We were starting to believe that maybe he was right.”

“There was another record company in Seattle called Dolton Records and they had some success with The Fleetwoods … they had such hits as “Come Softly to Me,” and “Mr. Blue” and we finally did get a disc jockey who we knew from the past who worked at a smaller radio station, and then became the most famous Top 40 disc jockey in Seattle to play “Walk, Don’t Run,” but it was only being played as a news kicker. He said we’re going to play about thirty seconds of your song before the news. The way they know if people like it was that they’d call in and say… what was that I really like that. The disc jockey never says who it is or what the name of it is, you have to call in to find out. So this guy from Dolton Records happened to be listening and he got a hold of us, his name was Bob Reisdorf and he said I’d like to talk to you about a contract. He said I really like the song. Everybody had turned us down but him, you find an angel every once in awhile. So we met with him and he said I’m going to send this to my distributor in Los Angeles which happened to be Liberty Records. The President of Liberty Records said… no, I don’t want it, doesn’t sound like a hit to me, and Bob Reisdorf of Dolton Records said, let me tell you something, I think it’s a natural hit. Bob said, you put it out and if it loses money I’ll pay it. And it went on to be a number two hit in the nation. Then we went to Japan and became monsters! We were the instrumental Beatles; we couldn’t leave our hotel room.”

“We received the Order of The Rising Sun Gold Rays with Rosette medal which was awarded by Japan’s Emperor in recognition for The Ventures contribution to the development and enrichment of music culture in Japan as well as to the promotion of cordial relations between Japan and the United States.  In 2004, The Ventures received the Japanese Foreign Minister’s Award on the occasion of the 150th anniversary of the Treaty of Amity between Japan and the United States. There was never a group like ours who got that kind of recognition and especially from the Emperor and the government.”
Ray Shasho: The Beatles earlier guitar sound sort of mimicked The Ventures.
Don Wilson: “George Harrison wrote an article that said he really liked The Ventures; yea you can hear that in The Beatles early stuff. George said we have The Shadows here in England but I’ve always opted for The Ventures.”
Ray Shasho:  It’s truly amazing how many great guitarists started out playing the Ventures music.
Don Wilson: “I’ll give you a partial list right now … how about Jeff Beck, Eric Clapton, Jimmy Page, Joe Perry of Aerosmith, and many-many country artists. While I was waiting to get my presentation at the Rock and Roll Hall of Fame, Billy Joel was backstage and he said to me one of the very first songs that I learned on the piano was “Walk, Don’t Run.” My daughter called me about five or six years ago and she said somebody told me that you had something selling at Starbucks. I said if we had a CD in there I would know it. I told her that I’ve got to go and find out what that might be. So right before Christmas I went down to Starbucks and I see ‘Elton John’s Favorite Christmas Songs’ none by him but by other artists. And I see one of our songs from our Christmas album and he had a paragraph inside the insert of everybody that he had chosen to be in there and when it came to The Ventures he said, I grew up with The Ventures … “Walk, Don’t Run” and “Perfidia,” the last thing he said was The Ventures are cool! I would have never known about that or Billy Joel. There were also a lot of drummers that we influenced too like John Bonham and Mick Fleetwood.”
Ray Shasho: Not sure if you considered ‘The Ventures’ as a Surf Band or a Rock and Roll band … Personally I always thought of ‘The Ventures’ as a Rock and Roll band.
Don Wilson: “Oh no doubt about it! Not only that but we have somewhere between 260-270 different albums out. Who has a Gold 8-track, I want to know. And of course we got real popular in Japan. GAC was the agency that was booking us and we were doing a four hour gig for dancing while getting paid around $250.00 …and that was when “Walk, Don’t Run” was a hit! (All laughing) They asked us if we wanted to go to Japan and I said yea, that would be great. But there was good news and bad news …. They couldn’t afford all four us, only Bob and I, and we still said yes. They weren’t really into rock and roll; they were mostly into big bands at that time in 1962. They didn’t have an electric bass in the whole country, acoustic guitars were popular there, mostly Mariachi type of stuff.  One of the most popular groups was called ‘Trio Los Panchos’ and so when we started with the guitar the kids just went crazy for it, but not at first.”

“When we went back there in 1964 they had been playing our records everywhere … radio, TV, loudspeakers, coffee houses …and we hadn’t realized how popular we were. There were three thousand people waiting for us at the airport building and we all wondered who’s on this airplane the President? (All laughing) The closer we got to the terminal we saw all kinds of signs saying… ‘WELCOME THE VENTURES,’ and if we’d known that we would have asked for more money. (All laughing)”
Ray Shasho: One of the most memorable album covers growing up as a kid was ‘Golden Greats by The Ventures’ spotlighting a young beautiful blonde girl wearing a gold bikini on the front and inside cover. I think many of us fell in love with that particular album cover.
Don Wilson: “For one thing she was a centerfold in Playboy magazine. It was the record company’s idea to put a sexy woman on the front. We sold records mostly to guys who wanted to know how to play the guitar. The very first album we had ‘Walk, Don’t Run’ had that girl on it too wearing capris pants. It was photographed from below and she looked real tall but she wasn’t, she was only about 5’2 inches but a very sexy girl. To tell you the truth I never met her back then. All those guys on the album cover that were falling down with the guitars and holding them up while they’re falling to the ground were stockroom boys, because we were on the road, so I never met her.”
“But in the early 90’s we were playing at a beach resort in Southern California and this guy comes in and he says do you know her? I’m looking at her and I say no … and he says she’s the one that’s on your first album cover, she has a boutique right down the street. She always looked tall on the album cover but she was only about 5’2 inches. It was a total surprise! So that was the first time that I met her. We did another album that had the same kind of look, but it was really us falling down on the cover. They wanted to repeat the look with the artists.”
Ray Shasho:  Don, talk about the inception of "Hawaii Five-O” …Morton Stevens wrote it and his original theme was played on the TV show … but The Ventures longer version of "Hawaii Five-O” was actually recorded and became a huge hit?
Don Wilson: “I’ll tell you the whole story … our drummer who was Mel Taylor at the time, he passed away and my partner Bob who passed away too, so there’s only me and Nokie Edwards, and he doesn’t play much anymore but I do. (Laughing) I’m still working … I don’t have to but I want to. I don’t fish and golf, what am I going to do lie in bed and watch TV and eat? (All laughing)”

“Anyway, our drummer had gotten closer than we did to one of our engineers. He told Mel Taylor, you know the writer only has a thirty second version of “Hawaii Five-O” just for the TV show. He said, I suggest that you guys record it because he’s (Morton Stevens) not going to. We did record it; I’m telling you The Ventures are snake bit; we’re the Rodney Dangerfield of the rock world, we don’t get no respect. (Laughing) So anyway he says why don’t you guys do a two minute version of it and put it out there? So we did.”

“The TV show wasn’t really making it. At that time after thirteen weeks if you didn’t make it you were through. Then the scripts got better and it finally caught on. We released “Hawaii Five-O” and it wasn’t a hit for seven months after it was released. We were trying to get people to play it so we hired somebody to push the record and he got turned down everywhere. He finally got a breakout and then calls a lot of radio stations and tells them that stations are playing the hell out of it. They ask him, oh yea, where? He says in Hawaii, which wasn’t very impressive to them. Eventually somebody did play it and went up the charts to number one in Sacramento, California, and that started the whole thing off. Then it landed on the Top 5 in the nation.”
Ray Shasho: “Was there ever a time when The Ventures considered using a vocalist?
Don Wilson: “I did in Japan; in 1976 we took a couple of female vocalists with us. It’s not what they wanted to see though; they want to see The Ventures. The people that we were working for over there said no, you guys are a four piece and are The Ventures … two guitars, a bass, and a drum, because they would have had to pay them and I’m sure they didn’t want to do that.”
Ray Shasho: Don, do you own a collection of vintage guitars?
Don Wilson: “I just sold my guitar for $75,000., of course not as much as guitarists like Eric Clapton (Laughing). It was a 1967 Jazzmaster and I had played that all the time until after we had our deal with Mosrite Guitars. That guy was the worst businessman in the world. He started a record company and lost all of his money. We had guitars out that were accounts receivable and my partner and I lost about $200,000. That was in the 60’s, how much is that now? And then he had the gall to come ask me …Can I use your name? I said I don’t think so, but he did anyway.”
Ray Shasho: We never get tired of listening to The Ventures and it’s amazing how people will usually identify a Ventures cover over the original song.
Don Wilson: “We’ve gone from playing other people’s songs … how many instrumentals is there that aren’t movie or TV themes. Instrumentals are hard to come by with hits, so we got other people’s instrumentals and put them on an album, and in many instances our albums sold more than their single. We identified with doing that too. People say oh, you’ve got that hit, not originally but we did make a big hit out of it. Of course “Wipe Out” was The Surfaris and we did it a little bit different than that, and I think we outsold their single by two to one. With “Pipeline” every time I see Bob Spickard of The Chantays he gives me that praise where he gets down on his knees, because they came and went. The Chantays were one-hit wonders and that’s it. And here we are with over 270 different albums. We went from surf to rock to classical. We also have a classical album called ‘Joy!’ out with a 35-piece orchestra behind us. We also did a Beatles tribute album called ‘In My Life’ (2010), Japan wanted us to do that and so we did … people love it!”
Ray Shasho: Don, here’s a question that I ask everyone that I interview. If you had a ‘Field of Dreams’ wish like the movie, to play or collaborate with anyone from the past or present, who would that be?
Don Wilson: “I suppose it would have been the thrill of my life to play with Duane Eddy, that’s how I learned the lead guitar that I play, by listening over and over to his stuff. Duane Eddy is more or less the blueprint for what I play. People always ask me how you get your sound, it’s unique and different. When my partner and I got together we didn’t know a bass player or a drummer, they were playing with other bands. So it was just he and I. We’d go to these talent shows and in order to make up for the drum kind of sound I played a very percussive rhythm, and he played lead. I did play more lead guitar than he did at that time, but he played lead on “Walk, Don’t Run” and a lot of the early stuff. So he would come to a note and would make a chord out of it, and then he would use the whammy bar to make it a full rich sound. Once we did get a bass player and a drummer …that stuck! I think that had a lot to do with The Ventures success. At that time in the early 60’s we were going in to record “Walk, Don’t Run” and other musicians were saying … you’re going in there without a piano or saxophone, you’re not going to be able to do anything without that. (All laughing)”
“Thank God we didn’t have a saxophonist or a pianist.”
Ray Shasho: Anything else you’d like to promote?
Don Wilson: “My son and I have started a record label and I just produced a group from Seattle and now we’re waiting for the art work to be done. I’m also going to do a video and I have high hopes for them. They’re young boys … one seventeen, another nineteen, and the other one is twenty one, two of them are brothers …and I have to tell you these guys are really good. They’re all good looking boys. People that have gone to see them around here say that they’re really great onstage … the name of the band is ‘Asterhouse.’
Ray Shasho: Don, thank you so much for being on the call today, and more importantly for all the incredible Ventures music you’ve given us and continue to bring.
Don Wilson: “Thanks Ray that was great … good interview!”

Purchase The Ventures incredible Beatles instrumental CD entitled … ‘In My Life’ (2010) atamazon.com

Very special thanks to Fiona Taylor
COMING UP NEXT … Folk/Rock/ Singer & Songwriter Jonathan Edwards (“Sunshine”)

Contact music journalist Ray Shasho at rockraymond.shasho@gmail.com

Purchase Ray’s very special memoir called ‘Check the Gs’ -The True Story of an Eclectic American Family and Their Wacky Family Business … You’ll LIVE IT! Also available for download on NOOK or KINDLE edition for JUST .99 CENTS at amazon.com or barnesandnoble.com   - Please support Ray by purchasing his book so he can continue to bring you quality classic rock music reporting.

Check the Gs is just a really cool story ... and it’s real. I’d like to see the kid on the front cover telling his story in a motion picture, TV sitcom or animated series. The characters in the story definitely jump out of the book and come to life. Very funny and scary moments throughout the story and I just love the way Ray timeline’s historical events during his lifetime. Ray’s love of rock music was evident throughout the book and it generates extra enthusiasm when I read his on-line classic rock music column. It’s a wonderful read for everyone!”    …stillerb47@gmail.com  


COMING SOON…
Ray’s exciting new book project entitled
                                       ...‘SAVING ROCK AND ROLL’

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Tuesday, October 14, 2014

Mary Sarah Interview: Country Music’s Shining New Star Duets with The Legends on New CD


NEW COUNTRY MUSIC ARTIST 

By Ray Shasho

-Interviewed on July 15th 2014

Country Music’s talented, young, and beautiful new star is nineteen year old Mary Sarah. Her latest CD would surely appease the aspirations of any artist, to perform with an incredible lineup of music legends. It’s a page right out of a storybook that began with a tweet from Joe Bonsalland an invite to perform with The Oak Ridge Boys onstage at the Opera House in Galveston, Texas. Four years later… Mary Sarah and Cleopatra Records release the critically acclaimed…Mary Sarah and Friends ‘BRIDGES’ CD -featuring Dolly PartonWillie NelsonRay Price,Merle Haggard, Lynn AndersonTanya Tucker, The Oak Ridge BoysVince GillRonnie MilsapNeil Sedaka & many more. Mary Sarah performed duets with all the performers including the late Ray Price. The album was officially released on July 8th and available to purchase at amazon.com

MARY SARAH: began performing in church at the age of eight. Mary’s hometown is Richmond, Texas. She later appeared at various Opry Theatres, Town Squares, charity fund raisers, and radio stations. At twelve years old she toured the U.S. for six months as a featured lead vocalist and dancer with Kidz Bop, a brand of compilation albums spotlighting kids performing popular hits from the Billboard Hot 100 charts. The Kidz Bop tour was an 18- song concert produced by Razor & Tie Records and Vee Corporation.    

In 2011, Mary hosted a four part series called “Opry on the Square- Country Now and Then”in Sugarland Town Square.

Mary Sarah also became a seasoned veteran at singing National Anthems, over fifty to be exact, so it was no surprise when she became the winner of a vote-in contest that led her to sing theNational Anthem at a Houston Texans/Carolina Panthers football game in front of over 70,000 people.

‘BRIDGES’ is an exciting new CD that delivers the true spirit of country music. Mary Sarah’s duets are captivating & inspiring … there’s definitely a new rising star in the world of country music! I gave ‘BRIDGES’ (5) Stars!
Track listings:  -Mary Sarah and Friends ‘BRIDGES’
1) “Jolene” (feat. Dolly Parton), 2) “Crazy” (feat. Willie Nelson), 3) “Fightin’ Side of Me” (feat. Merle Haggard), 4) “Heartaches By The Number” (feat. Ray Price), 5) “Go Rest High On That Mountain” (feat. Vince Gill), 6) “Dream On” (feat. The Oak Ridge Boys), 7) “Texas, When I Die”(feat. Tanya Tucker), 8) “Rose Garden” (feat. Lynn Anderson), 9) “What A Difference You’ve Made In My Life” (feat. Ronnie Milsap), 10) “Where The Boys Are” (feat. Neil Sedaka)
Bonus Cuts: 11) “My Great Escape” (feat. John Rich and Big Kenny), 12) “All I Wanna Do Is Sing My Song” (feat. Freddy Powers), 13) “I’m Sorry”

Back in July, I had the warm opportunity to chat with Mary Sarah about… The new ‘Bridges’ CD … Singing with music legends … Mary’s relationship with The Oak Ridge Boys …Singing the National Anthem…The future… My infamous ‘Field of Dreams’ question … and much-much more!
Here’s my interview with the sensational young country singer & songwriter

Ray Shasho:  Hello Mary thank you for being on the call today, I’m calling you only minutes away from beautiful Siesta Beach in Sarasota today.
Mary Sarah: “Oh my God, I am so jealous. I’m about twenty five minutes outside of Nashville in Franklin.”
Ray Shasho: I chatted with Joe Bonsall awhile back, he’s such a great guy. I understand that The Oak Ridge Boys performed on your new CD entitled ‘Bridges’? 
Mary Sarah: “I love Joe Bonsall he’s like family to me now. Kind of a funny story, it was actually about four years ago before the ‘Bridges’ project that they tweeted me. I don’t know from where Joe tweeted me but he said I know you live in Houston and we’re going to be playing in Galveston at the Opera House and we would like you and your family to come along. At first, I had no idea that the Oak Ridge Boys even tweeted, so I thought, is this real? (All laughing) He had watched my You Tube video. So we made a trip to come down, and I watched rehearsals and then we all went to dinner. At dinner I remember Joe looking at me and he said can you really sing a cappella? I had sung “Where the Boys Are” by Connie Francis and had done a cappella several times, so it was like my go to song. At dinner I told him that I would stand up and sing for him, which I thought was very funny. He looked at me and said, no-no-no, I mean; I want you to sing at the show tonight. (All laughing)”

“At that time I was fifteen years old and kind of freaking out that The Oak Ridge Boys wanted me to sing at their sold-out show in Galveston while not even hearing me sing live in front of them? So it was absolutely amazing and really cool for them to do. I give a lot of credit to them and especially to this project. We sent me singing “Where the Boys Are” on that stage to pretty much every artist, which was very cool.”
Ray Shasho: This all must be one huge wonderful blur for you?
Mary Sarah: “Now that the CD is released it really is. It’s exciting because we all worked so hard on it and to finally show it to the world and get their opinions on it is just unbelievable.”
Ray Shasho: I know the Oak Ridge Boys are a favorite of yours, who else did you especially connect with in the studio while working on the CD?
Mary Sarah: “I have to say all of them because they were all absolutely amazing and especially because they did all this on a handshake, which is crazy. I would probably say if I had to pick … Ray Price. It was a very special experience and especially in the studio with him that day. I was fifteen too, so it was a couple of months after I sang with The Oak Ridge Boys. “Heartaches by the Number” was one of my favorite songs to sing at the Opera in Texas and immediately when Ray got on the CD I said we’re totally doing “Heartaches by the Number” and I hoped he’d say yes because that’s my favorite-favorite song. And so to get to stand in the studio and hear him sing it live was like none other and just a magical experience. I remember I was very nervous and when he walked into the studio that day, I think everybody was nervous, but there was something about him that calmed the whole room.”

“Another one is Dolly Parton who was the first one to get on the project. I’m standing in one room and I know she’s in the other room and I’m just freaking out. I’m thinking to myself… what do I say to Dolly Parton? I just remember being so nervous and I couldn’t think of anything. So I’m walking down this hall to go into the room and I see her through the window door and I feel like my heart dropped down into my stomach. So I walked in and she said, “You must be Mary Sarah?” And I was like well you must be Dolly Parton? After the whole experience I talked with my mom and asked her, did I say anything that embarrassed me? I don’t think I remembered exactly what I said to her. All my experiences with those legends were so amazing.”
Ray Shasho:  Another country artist I’d like to interview is Reba McEntire, I think she’s so cool.
Mary Sarah: “Oh My Gosh, my Brother is a huge Reba fan, he says if I ever meet her I’m just going to get down on one knee and marry her. (All laughing) Yea, we listen to Reba a lot.”
Ray Shasho:  Mary, you made your first splash on the music scene in Kidz Bop? 
Mary Sarah: “Yes, I was twelve years old and on tour for about six months across the east coast and Midwest and was one of the craziest experiences of my life, because at twelve years old I never expected to be on tour. The coolest thing about Kidz Bop was when I was in a theater; I think it was the Fox Theatre in Detroit, and we were in the basement area and there were signatures all over the walls, and I remember seeing Patsy Cline’s signature on the wall, which for over a year I had been singing Patsy’s songs and really looked up to her as an idol. The funny thing was, all the other kids my age didn’t know who Patsy Cline was. So I was freaking out by the fact that Patsy Cline’s signature was on the wall while the other kids were asking me why are you freaking out? (All laughing) It was just a great feeling that day, seeing her signature on the wall and then knowing I was going to sing onstage where she sang.”

“So I go out to sing and we each had a solo. After I began singing my solo everyone in the audience began singing along with me and it sounded like a choir of angels, and for me it was an overwhelming feeling of joy. I remember coming offstage and saying to my mom… I don’t know what happened but I’m going to do this for the rest of my life. My mom was probably thinking, oh My Gosh; she’s only twelve years old and already knows what she wants to do for the rest of her life … (All laughing) okay let’s see how this goes. So it was really a big moment for me and ever since then I’ve been working hard at it.”
Ray Shasho: What song did you sing onstage?
Mary Sarah: “Move Along” by The All-American Rejects. I had the bridge part of it where it sort of breaks down, and you can find that on You Tube.”
Ray Shasho: Was ‘Crazy Good’ actually your debut album?
Mary Sarah:  “I really wanted to explore my own sound and try my hand in writing, and so that was kind of an experimental album to try and figure out who I was at fourteen years old. So I would say it was kind of a debut album and at the same time just an album I did to figure out who I was. Starting the writing process and things like that.”
Ray Shasho: It’s a really good album and I especially enjoyed the title track “Crazy Good,” just an awesome tune.
Mary Sarah: “Thank you! You know what’s funny is a couple years after releasing it; I never thought people would go back and listen to it. People would say I love your song “Crazy Good,” so it’s really cool that people really like it.”
Ray Shasho: Are you musically committed to a Country Music route or will you be experimenting with other genres?
Mary Sarah: “I love Country Music and I’ve sang in the Texas Opry for years. A big part of me is traditional Country Music … so yes, I am sticking with Country Music.”
Ray Shasho: Mary what are some of your favorite TV shows.
Mary Sarah: “One of my favorite TV shows is ‘Bones’ … that and ‘New Girl.’
Ray Shasho:  Here’s a question that all the young guys out there are going to want to know about you … Do you have a boyfriend?
Mary Sarah: “I do have a boyfriend and it’s actually a long-distance relationship. Originally he lived in Kansas City, Kansas, he goes to Southeast Missouri State University for football now, and he’s an outside linebacker. We met through my cousin who lives in Kansas City; they went to the same school.”
Ray Shasho: Are you in college or considering attending college soon?
Mary Sarah:  “No, I’m actually not in college at this time. I kind of consider what I am doing is my college because I feel like I’ve learned just as much as a college student and getting to live it at the same time. So I really feel like I am in college.”
Ray Shasho:   There was controversy surrounding the Houston Texans when you sang the National Anthem at NRG Stadium … Carolina Panther Jeremy Shockey was upset that the Houston Texans players were not respecting your rendition of the anthem?
Mary Sarah:  “I sang the National Anthem for the Texans game and I was very surprised to see that happen. I went out there to sing it and to hear everything that happened afterwards was like …what the heck? So it was pretty crazy. When I walked out to sing the anthem I walked along the sidelines and there was a huge speaker playing music to 70,000 people, so it was extremely loud. I walked right past it and it literally blasted my ears. When I went out to sing the anthem I actually sang it a whole step higher than I usually do. I think it was the best National Anthem that I ever did but probably would not do it again because it was very nerve-wracking.”
Ray Shasho: I think the National Anthem is a difficult song to sing, especially in front of 70,000 people. What were the acoustics like while singing it … was there an echo?
Mary Sarah: “I have done a ton of National Anthems, so when I got to the Texans, I had done at least fifty National Anthems before that, so I’m kind of used to the bouncing back and things like that, but the Texans had the roof closed so it really made the sound bounce around a lot. It was a little funky but I’ve had worst I think. I did the Bristol Motor Speedway and that was a little funky because the speakers were way-way up in the air.”
Ray Shasho: Mary do you continue to write music?
Mary Sarah: “I do … I’m working on some new stuff. Now that we have the CD released and it’s out there, it’s time to work on the newer stuff. I’m excited about finding a great producer to work with, and I’m writing a lot while hoping to get some really great songs on the next project.”
Ray Shasho: I am essentially a classic rock music journalist … do you also enjoy the occasional rock song?
Mary Sarah: “I’m a big fan of Journey. My dad introduced me to Journey and ever since we’ve gone to so many of their concerts. Of course my anthem song is “Don’t Stop Believin’” just like everybody else’s, but I love all of their songs.”
Ray Shasho:  Freddy Powers had quite an influence on your career? 
Mary Sarah: “Freddy and I were introduced about four years ago and he is the executive producer on the new CD.  I give him a ton of credit on this because he really took a leap of faith with me. We actually had Dolly Parton first and Freddy came on right after Dolly and said that I really want to help you out with this project. So he brought Willie Nelson, Tanya Tucker, and Merle Haggard to the CD and really used a lot of his relationships to make this happen. He’s actually in stage 4 Parkinson’s, so it’s kind of his last project to do. I would say I’m the lucky singer that got to do it. He and his wife Catherine have been a blessing in my life.”
Ray Shasho: You’ll be doing some dates with Merle Haggard?
Mary Sarah: I’m pretty sure I’ll be opening up especially in La Grange, Texas and getting to sing our song together. We’re still figuring out additional dates on the schedule.
Ray Shasho: Mary, here’s a question that I ask everyone that I interview. If you had a ‘Field of Dreams’ wish like the movie, to sing or collaborate with anyone from the past or present, who would that be?
Mary Sarah: “Oh My Gosh! I think Patsy Cline. I read up on all the things she used to do and how spunky she was, so it would be really cool to meet and talk with her. She said a lot of the things she did was to just kind of go with the flow. That would be someone from the past. Someone in the present would be Eric Church… I’m a big fan of his. It would be really cool to collaborate with him.”
Ray Shasho: I understand that you are an advocate for Juvenile Diabetes?
Mary Sarah: “Yes, my brother was actually born at one pound and a half and had several surgeries. By the time he was fourteen, he developed type 1 diabetes and ended up having a liver transplant. He’s actually twenty five now and doing very-very well. We’re always doing walks for ‘JDRF’ and anything we can do to support it. Another foundation that I am currently working with is ‘Caiden’s Hope,’ which they are an organization who supports families who have babies in the NICU. My mom actually raised my brother who was in an NICU for six months. So she went through a lot of that struggle. It’s an amazing organization.”
Ray Shasho:  Mary, anything else you’d like to promote or say?
Mary Sarah: “I wanted to thank ‘Cleopatra Records’ because they were the ones who distributed the ‘Bridges’ project.”
Ray Shasho: Mary, thank you for being on the call today … you are unquestionably Country Music’s shining new star, an incredible singer, a beautiful girl, and a marvelous personality to boot. We’ll all be looking for great and wonderful developments to take place during your musical career.
Mary Sarah: “Thank you so much for interviewing me today … I had a blast!”

Purchase Mary Sarah’s latest CD released on Cleopatra Records entitled ‘BRIDGES’ featuring appearances by The Oak Ridge BoysDolly Parton, Willie Nelson, Ray Price, Merle Haggard, Lynn Anderson, Tanya Tucker, Vince Gill, Ronnie Milsap, Neil Sedaka and more. BRIDGES’ is an exciting new CD that delivers the true spirit of country music. Mary Sarah’s duets are captivating & inspiring … there’s definitely a new rising star in the world of country music!
Track listings:
1) “Jolene” (feat. Dolly Parton), 2) “Crazy” (feat. Willie Nelson), 3) “Fightin’ Side of Me” (feat. Merle Haggard), 4) “Heartaches By The Number” (feat. Ray Price), 5) “Go Rest High On That Mountain” (feat. Vince Gill), 6) “Dream On” (feat. The Oak Ridge Boys), 7) “Texas, When I Die”(feat. Tanya Tucker), 8) “Rose Garden” (feat. Lynn Anderson), 9) “What A Difference You’ve Made In My Life” (feat. Ronnie Milsap), 10) “Where The Boys Are” (feat. Neil Sedaka)
Bonus Cuts: 11) “My Great Escape” (feat. John Rich and Big Kenny), 12) “All I Wanna Do Is Sing My Song” (feat. Freddy Powers), 13) “I’m Sorry”


Caiden’s Hope Foundation visit the site at ...

Very special thanks to ‘the great’ Billy James of Glass Onyon PR

COMING UP NEXT … Don Wilson guitarist, pioneer, and co-founder of ‘The Ventures’ … and Folk/Rock singer & songwriter Jonathan Edwards (“Sunshine”).

Contact music journalist Ray Shasho at rockraymond.shasho@gmail.com

Purchase Ray’s very special memoir called ‘Check the Gs’ -The True Story of an Eclectic American Family and Their Wacky Family Business … You’ll LIVE IT! Also available for download on NOOK or KINDLE edition for JUST .99 CENTS at amazon.com or barnesandnoble.com   - Please support Ray by purchasing his book so he can continue to bring you quality classic rock music reporting.


“Check the Gs is just a really cool story ... and it’s real. I’d like to see the kid on the front cover telling his story in a motion picture, TV sitcom or animated series. The characters in the story definitely jump out of the book and come to life. Very funny and scary moments throughout the story and I just love the way Ray timeline’s historical events during his lifetime. Ray’s love of rock music was evident throughout the book and it generates extra enthusiasm when I read his on-line classic rock music column. It’s a wonderful read for everyone!”    …stillerb47@gmail.com   

COMING SOON…
Ray’s exciting new book project entitled...‘SAVING ROCK AND ROLL’

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