Monday, October 7, 2013

Julian Lennon Interview: New Release ‘Everything Changes’ is Masterful!

 

By Ray Shasho

Exclusive Interview with Julian Lennon:

Julian Lennon is passionate about his art and empathetic to the perplexities of mankind. Lennon’s ability to actualize consequential lyrical content with enchanting voice and melody is what exemplifies Julian as a pure and gifted artist. Combing those amazing attributes with virtuoso multi-instrumental ingenuity and a reputation for engaging legendary songwriters and musicians is the prescription needed for the perfect album. Lennon’s latest release entitled Everything Changes is pure genius and a musical masterpiece.

Lennon’s unquestionable perception and endearment for music and humanity was clearly felt on his debut release Valotte in 1984. The album became certified platinum and spawned the hit singles “Valotte” (#9 Billboard Hot 100 -1985) and “Too Late for Goodbyes” (#5 Billboard Hot 100 -1985). The album was produced by Phil Ramone. Lennon may have inherited certain proficient genes from his famous dad, but his musical and humanitarian pilgrimage was solely spearheaded by Julian.

 Valotte was a great album but Everything Changes is Lennon’s best album to date.

 Everything Changes is perfectly arranged and produced. I actually compared the essence of the recording to The Beach Boys Pet Sounds album. The album was initially released in the UK in 2011 as sort of a test run on an Indie label. Lennon purchased all the rights under the original agreement and then released it independently worldwide.

‘EVERYTHING CHANGES’ the worldwide release has additional tracks including the Beatlesque “Someday” featuring Steven Tyler of Aerosmith. There are also inspiring songwriting collaborations between Lennon and Mark Spiro including … “Just for You” and the metaphysical psychedelic voyage of “Disconnected” which also spotlights the proficient songwriting of Peter Vettese (Jethro Tull). Vettese also collaborates with Lennon on the title track “Everything Changes,” a very beautiful song that actuates Lennon’s persistent message which always seems to be on-target with what’s going on in the human race … portraying the chaos that’s amongst us but also offering simple solutions if we all just listen and practice love and peace. Vettese also co-wrote the haunting “Lookin’ 4 Luv” an incredible tune that highlights Lennon’s superb key strokes and vocals with additional Beatlesque overtones, including an electric guitar that emulates reverse tape effects or backmasking, an effect reminiscent to certain Beatles tracks from their psychedelic era. “Touch the Sky” is yet another brilliant Lennon/Vettese co-writing effort. “Always” is an extraordinary penned partnership between Lennon and longtime friend and guitarist Justin Clayton. The track rejoices powerful lyric and magnificent melody.

Lennon also collaborates on the album with singer-songwriter Paul Buchanan (Blue Nile), singer/producer/composer Tim Ellis, Gregory Darling and Guy Pratt (Pink Floyd). The album was jointly produced by Julian Lennon and Grant Ransom.

The “Someday” and “Lookin’ 4 Luv” official videos can be watched on You Tube.

… I gave Everything Changes the latest album from Julian Lennon (5) Five Stars!

JULIAN LENNON was born in Liverpool, England. He is the only child of John Lennon and Cynthia Powell (John’s first wife). His half brother is Sean Lennon (Yoko Ono is his mother). Yoko was John’s second wife.
In 1966, Julian brought home a drawing that became the catalyst for The Beatles classic “Lucy in the Sky With Diamonds.” In 1968, Paul McCartney was driving out to see Cynthia and Julian after the marriage separation. He began singing … Hey Jules, don’t make it bad, take a sad song …make it better. Paul felt sorry for Julian regarding the situation between his mom and dad. Later McCartney changed Jules to Jude because it sounded better. "Hey Jude" spent nine weeks at the number #1 spot, holding the title for The Beatles longest stretch for a single at the number one position. The Beatles tune “Good Night” (1968) was said to be a lullaby written by John for Julian when he was five years old.

On December 8th 1980, Julian’s father John Lennon was gunned down outside his home in New York City. John Lennon was forty years old.

Julian’s incredible debut album Valotte was released in 1984. The majority of the songs were written at Manor de Valotte, a French chateau near Nevers. He would later embark on a North American tour and included dates in Japan and Australia in support of the new album.
In 1986, Julian Lennon released his second album entitled The Secret Value of Daydreaming. The album also produced by Phil Ramone spawned the hit single “Stick Around” (#32 Billboard Hot 100). Lennon launched his second North American tour from Miami, Florida.

In 1988, The Beatles were inducted into the Rock and Roll Hall of Fame. George Harrison, Ringo Starr, Yoko Ono, Sean and Julian Lennon attended.

Mr. Jordan Julian’s third album was released in 1989. Lennon also embarked on a mini-tour. His fourth studio album Help Yourself was released in 1991. The album was produced by the legendary Bob Ezrin. The album spawned the hit “Saltwater” (#6 UK) and (#1 on Australian single charts).
After a seven-year hiatus, Lennon released his fifth studio album entitled Photograph Smile in 1998. The following year he embarked on a U.S. tour in support of the album.

In 2001, Rhinos VH1 Behind the Music series released The Julian Lennon Collection featuring all of his greatest hits.

On September 16th 2010, Julian Lennon’s first photography exhibition, “Timeless” opened at The Morrison Hotel Gallery in Manhattan, New York. He officially launched his photography site www.julianlennon-photography.com later in 2012.

The first edition of Everything Changes was released in the UK and Ireland in October of 2011.

The second edition of Everything Changes was officially released worldwide on April 8th 2013 and featured additional tracks and guest artists.

Julian Lennon is 50 years old. Lennon continues to contribute his environmental and humanitarian efforts with the White Feather Foundation, the Prince’s Trust youth charity, and the Lupus Foundation.

I had the rare pleasure of chatting with Julian Lennon recently about his brilliant new release Everything Changes, his photography, humanitarian efforts & contributions, and very exciting future endeavors. Julian is also one of the nicest guys that I ever had the pleasure to interview.
Here’s my interview with singer, songwriter, multi-instrumentalist, humanitarian, and son of Beatles John …JULIAN LENNON.
THE INTERVIEW… (September 25th)
Ray Shasho: Hello Julian!
Julian Lennon: “Hi Ray, you sound about a thousand miles away, maybe even two thousand miles away … but that’s alright, I’ll just turn the volume up on my phone a little bit. Shasho … that’s an interesting name, where’s that from?”
Ray Shasho: My grandfather on my father’s side was from Syria. They were actually Syrian Jews. My mother was born in Cuba but her family was from Spain. So I grew up in an eclectic household. As a matter of fact I wrote a book about the entire experience.
Julian Lennon: “Really, that’s an interesting mix … it’s a great name though.”
Ray Shasho: Julian, I knew immediately in 1984 that you were a gifted singer, songwriter and musician after the release of your debut album Valotte. The title track is actually one of my all-time favorite songs. And now in 2013 … Everything Changes is an absolute masterpiece!
Julian Lennon: “Now you’re talking my language. (All laughing)
“Honestly, that’s very kind of you to say.”
Ray Shasho: I think it’s your best album yet, I’m giving it (5) stars; the arrangements and production work on the album remind me of the Pet Sounds album by The Beach Boys.
Julian Lennon: I get where you’re at with that, there’s a quality and smoothness to it I guess. The thing I can equate it to would be the many layers that are there which compliments each other, thank God; otherwise it wouldn’t make sense at all. But yes, I appreciate that too.”
Ray Shasho: Julian, you actually released an earlier edition of the album?
Julian Lennon: “I released it in the UK and did it almost like a test run with an Indie label; it was more of a partnership. I found it very difficult to work with other people that eventually change their thoughts and prospective on what we were planning to do. So I decided to walk away from them and get out of that partnership. I bought all the rights back and all the stocks back and decided that I wanted to rethink this situation. I always envisioned doing it completely and utterly independently but these folks had some good talk and I listened. I was swayed a little bit but decided that I really needed to look at the big picture and see if I could really pull it off just myself.”

“It wasn’t originally an idea to add anymore tracks to the international release outside the UK, but I’ve been out in LA talking to different management groups and different PR and marketing to try and work with for the release of the album. It really was happenstance that I bumped into Steven Tyler. One thing led to another and I thought it would be great if we could do a song and throw on the album for the rest of the world. My old friend Mark Spiro was out there as well and if there’s a bit of spare time and you’re not doing the meetings 24/7, then occasionally you get the chance to do a little bit of writing. I just felt very fortunate enough that both guys were available and wanted to do something a little extra for the international release. I think the two tracks complimented the album and gave it a little bit of a different edge and angle from where it was at. So I was more than happy to make those changes.”
Ray Shasho: You certainly have some great guest artists on the album. Besides Steven Tyler, Mark Spiro, Peter Vettese, Paul Buchanan and Tim Ellis to name a few … I noticed Pink Floyd’s Guy Pratt is also on the album?
Julian Lennon: “Guy and I used to live in LA together and that’s where this came about. Many-many moons ago, he and I used to hang out quite a bit. He came back to the house and did the original bass part for “Just for You” in the very wee-wee hours of the morning, after a very late night and a few drinks … no comment (All laughing). I always loved the song, but it never sort of fit on any of the other albums or work that I’ve done before. So when I re-recorded it again and literally he was in the neighborhood. He was with his family on holiday and learning to swim. He took time out of his swimming lessons to come over and record initially on “Just for You.” It sounded so great I said listen; will you stick around and consider playing on some of the other tracks? So he did and it was great! Again, he’s one of my all-time favorites.”
Ray Shasho: Guy’s married to Richard Wright’s daughter. I saw Guy perform on several occasions with Pink Floyd, he’s an incredible musician.
Julian Lennon: “He’s one of those guys that just plays choice notes and for me that was absolutely beautiful and perfect. I knew he’d be able to come up with things that I was missing here and there or things that we both agreed on and thought about.”
Ray Shasho: Some of my favorite tracks on the new album include “Always,” which embrace powerful and important lyrical content. For example…

And as we disgrace the truth …Love has lost its way to greedy rules … Sometimes this world’s so cold … Where is all this hatred coming from?

The album is so on-target with what’s going on in the human race, portraying the chaos that’s amongst us but also offering simple solutions if we all just listen and practice love and peace.
Julian Lennon: It’s a constant theme through most of the albums that I’ve done, there’s always been socially minded tracks. It’s really my opinion of my social commentary of the world as it is today. I’ve never been one for shoving ideas down people’s throats, but it’s about recognizing the issues and having empathy, and trying to work with people to make a better life for everybody. That’s why I started the White Feather Foundation, not only to try and be a better person myself, but to help the world be a more healing place.”
Ray Shasho: Another favorite track is “Touch the Sky.”
Julian Lennon: “It was either “Everything Changes” or “Touch the Sky” that I first met Peter Vettese who I adore as a songwriting partner. He always seems to fill-in or come up with the missing blanks if I hit a brick wall with certain chords and arrangements. But it just flowed and came out very-very easily working with him. No question about it, that’s also one of my favorite tracks on the album. But listen …what can I say, they’re all my favorite children on this album. I’ve got to say, I do love them all. This is probably the first album that I’m happy to play over and over again, even for myself, which is a bit modest and a bit mad. (All Laughing) But I’m partially right because its music that I don’t hear out there.”
Ray Shasho: You’re absolutely right Julian … unfortunately the music industry has been in a sad state for some time now.
Julian Lennon: “At least in regards to the charts or what’s left of the charts. It’s pretty horrific I think … it just churns-out the same three-four chords on crack basically with a slightly different melody. You could pretty much roll off the first top ten or top twenty in the charts. It’s sad really … just sad. There’s no room left in the mainstream for artistry. It’s a rarity anyway, it does exist but it’s rare.”
Ray Shasho: I believe the biggest problem is that the people who run the music business just don’t give a damn about the music.
Julian Lennon: “It’s a sad situation, but at least independent artists like myself can get the work out there. It’s tough getting heard in the world the way it is at the moment … not that it always hasn’t been tough to a certain degree but I think it’s been even tougher now. There are so many independent artists and to be heard you either have to be in that sort of commercial vein of the major labels and that sort of pop charts success or really have some good quality music. It’s a tough one but people like myself will keep on keeping on until we do get heard.”
Ray Shasho: Julian, you are also an amazing photographer as well. Do you carry your equipment around everywhere and start shooting as you get inspired …or are they somewhat staged?
Julian Lennon: “I’ve been very fortunate in working with the likes of U2 behind the scenes and working with Princess Charlene of Monaco, I shot her ten minutes before her marriage. Talk about insanity, anxiety, stress and complete and utter madness … nothing is staged as such but you got to try and in my mind at least to capture a moment in time that says something to you emotionally. For me it’s just a visual interpretation of what I try and do musically. It’s having that connection and that empathy with people that you can relate to what’s being said, seen or heard.”
Ray Shasho: One of my favorite images is your “Timeless” photograph.
Julian Lennon:That’s probably the thing that started it off really. That was me on the tour bus with Sean in 2007, somewhere in Eastern Europe at six o’clock in the morning, and this was in the days when I used to smoke. The bus driver used to let me sit at the front of the bus while everybody was asleep and grab the ol’ ciggie. It was freezing! Again it was about capturing a time and a place and feeling that sort of emptiness …not knowing where the road was really going to. At the time it seemed timeless because it was just eternal. It was like … When is this going to end? When are we going to get somewhere? So that’s what started it all up, at least for the first exhibition.”
Ray Shasho: Julian, a very dear friend of ours was staying with us recently here in Sarasota. She has really been bothered by lupus. Thank you for your continued efforts to make everyone aware of the disease. She was actually searching for information about lupus when she got home and stumbled upon your YouTube video talking about Lucy Vodden.
Julian Lennon: “After poor Lucy …from “Lucy in the Sky with Diamonds” passed with lupus, I did a charity single for the Lupus Foundation of America and St. Thomas’ Lupus Trust in the UK. Every year it’s a continued effort to support them. Not only as their ambassador, but also on a financial front, doing these events and auctions and trying to raise awareness. I’m continually involved and will remain so until we do find that cure. This will be part of my life for the rest of my life. Hopefully it won’t be for the rest of my life, maybe we’ll find a cure sooner than later.”
Ray Shasho: Bless you Julian for donating your time and efforts and keeping people aware of this terrible disease. It doesn’t seem like much is discussed about the effects of lupus.
Julian Lennon: “It’s an awful disease because it can attack any part of your body, any way, shape, or form. This is what the issue is. It’s just not understandable in any way at this point of time. We realize that it goes in so many different directions and this is what the problem is. It affects everybody slightly differently, so this is a major issue. All we can do is keep working on it.”
Ray Shasho: Julian, here’s a question that I ask everyone that I interview. If you had a ‘Field of Dreams’ wish like the movie, to play, sing or collaborate with anyone from the past or present, who would that be?
Julian Lennon: “Well I’m going to have to state the obvious here and say if there had been an opportunity to sing or work with dad …it would have been him really. He would be my number one choice.”
Ray Shasho: Is there anything we haven’t covered Julian?
Julian Lennon: “Well, I’ve been doing a lot more stills for feature films now. We are coming out with a full-featured documentary around Thanksgiving with fourteen videos for every song on the album and an acoustic version of the album. At the same time we’re developing an App that will deliver all that to you across all platforms. So that’s a pretty special one.”
“But most of the latest news, information and endeavors that I partake in these days I post daily on www.julianlennon.com and there are a lot of projects.”
Ray Shasho: What about touring?
Julian Lennon: “I don’t know about touring. I’ve stated many times that I’ve pretty much played most size venues around the world in one way, shape, or another. I’ve done the lowest to the highest. If I did go on the road again, it would really be in my mind sort of a one night only in major cities around the world for charity. The White Feather Foundation maybe in conjunction with another and with a full or partial orchestra. That is what as an artist and as a humanitarian I prefer to do.”
Ray Shasho: Julian, thank you so much for being on the call today, but more importantly for all the incredible music you’ve given us and continue to bring. Please don’t forget Florida if you decide to tour.
Julian Lennon: “Florida is on the list if we ever get around to it.
Thank you very much Ray, it’s been an absolute pleasure … Cheers!”

Purchase Everything Changes Julian Lennon’s brilliant new album at amazon.com and iTunes
Julian Lennon official website www.julianlennon.com
Julian Lennon photography at www.julianlennon-photography.com
Julian Lennon charities www.julianlennon.com/charity White Feather Foundation, Prince’s Trust, and The Lupus Foundation
Julian Lennon on Facebook
Julian Lennon on Myspace
Julian Lennon on Twitter
Very special thanks to Kim Estlund

Contact classic rock music journalist Ray Shasho at rockraymond.shasho@gmail.com

Purchase Ray’s very special memoir called ‘Check the Gs’ -The True Story of an Eclectic American Family and Their Wacky Family Business … You’ll LIVE IT! Also available for download on NOOK or KINDLE edition for JUST .99 CENTS at amazon.com or barnesandnoble.com - Please support Ray by purchasing his book so he can continue to bring you quality classic rock music reporting.

“Check the Gs is just a really cool story ... and it’s real. I’d like to see the kid on the front cover telling his story in a motion picture, TV sitcom or animated series. The characters in the story definitely jump out of the book and come to life. Very funny and scary moments throughout the story and I just love the way Ray timeline’s historical events during his lifetime. Ray’s love of rock music was evident throughout the book and it generates extra enthusiasm when I read his on-line classic rock music column on examiner.com. It’s a wonderful read for everyone!”stillerb47@gmail.com

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Saturday, September 28, 2013

Exclusive: John Mayall to Celebrate his 80th Birthday While Performing in Sarasota



By Ray Shasho

John Mayall Interview:

John Mayall is appropriately acknowledged as the “Father” or “Godfather of British Blues.” His magnificent musical journey spans over a half century. Mayall is a virtuoso multi-instrumentalist, singer, songwriter, producer and bandleader acclaimed for founding and pioneering The Bluesbreakers, a medley of musicians that integrated various lineups and prompted the careers of legendary artists such as Eric Clapton, Peter Green, Mick Taylor, Jack Bruce, John McVie, Roger Dean, Mick Fleetwood and Keef Hartley to name just a few. Many of the proficient musicians that Mayall inducted into his Bluesbreakers band are already in the Rock and Roll Hall of FameSo why hasn't John Mayall been inducted yet?

In 2008, John Mayall officially retired the name ‘Bluesbreakers’ and opened an exciting new chapter with The John Mayall Band. Mayall is revived and revitalized. His new band features a fearsome foursome of dynamic blues musicians. The John Mayall Band is … John Mayall (vocals, guitar, keyboards and harmonica), Rocky Athas (guitar), Greg Rzab (bass) and Jay Davenport (drums).

John Mayall will be celebrating his 80th birthday while performing with his band on November 29th at the Sarasota Municipal Auditorium in Sarasota, Florida with special guests Larry McCray and Tucci. For tickets and further information visit www.brownpapertickets.com/event/466811 or call (941) 954-4165 for more information. The Sarasota Municipal Auditorium is located at 801 N. Tamiami Trail, Sarasota, FL 34236.

 JOHN MAYALL grew up in a village near Manchester, England and initially learned about jazz and the blues by listening to his father’s record collection. Mayall spent two years at art school. At 18, he worked in the Royal Engineers for national service (military duties) as an office clerk in the south of England and Korea.

In 1962, Alexis Korner and Cyril Davies opened a new club devoted entirely to blues music. This became the catalyst for Mayall to give up his day job of graphic design and form a blues band. He moved from Manchester to London and began assembling musicians under the branding of 'The Bluesbreakers.' Mayall was thirty years old.

THE BLUESBREAKERS debut release was entitled John Mayall plays John Mayall featuring Roger Dean on guitar. After Eric Clapton quit The Yardbirds he was invited to play with John Mayall’s Bluesbreakers. A lineup of John Mayall (vocals, piano, Hammond organ and harmonica), Eric Clapton (guitar and vocals), John McVie (bass guitar) and Hughie Flint (drums) would lead to the band’s best- selling classic …Blues Breakers John Mayall with Eric Clapton (1966). Jack Bruce had also contributed to the recording. After the album hit the charts, Clapton and Bruce left to form Cream.

Peter Green replaced Eric Clapton on their next release A Hard Road (1967). Green and John McVie also had ambitions goals of starting their own band and formed Fleetwood Mac. The Bluesbreakers hired Mick Taylor for their next release entitled Crusade (1967). Taylor would eventually leave to join The Rolling Stones.
Throughout the years …Eric Clapton, Mick Taylor, Roger Dean and Jack Bruce revisited The Bluesbreakers while contributing on various studio recordings. John Mayall is highly respected for incorporating legendary band members and studio musicians under the Bluesbreakers umbrella.
In 1969, John Mayall moved from England to Laurel Canyon in Los Angeles.

Throughout the 70’s … Mayall incorporated jazz, pop and funk into his repertoire while working with such performers as Red Holloway, Blue Mitchell, Larry Taylor, and Harvey Mandel.

In 1982, John Mayall reformed with original Bluesbreakers Mick Taylor, John McVie and Colin Allen while embarking on a worldwide tour. The tour spawned a video concert film entitled ‘Blues Alive’ and featured guest artists Albert King, Buddy Guy, Junior Wells and Etta James.
In 1984, a new Bluesbreakers lineup was comprised of future legends Coco Montoya and Walter Trout.
Wake Up Call, the 1993 release by John Mayall & The Bluesbreakers featured guest artists Buddy Guy, Mavis Staples, Albert Collins and Mick Taylor. The album was nominated for a Grammy Award. Also in 1993, Texas guitarist Buddy Whittington joined The Bluesbreakers while making his debut on the Spinning Coin album.

The 2001 release, Along for the Ride featured Peter Green, Mick Taylor, John McVie, Billy Gibbons (ZZ Top), Steve Miller, Billy Preston, Steve Cropper, Otis Rush, Gary More, Jeff Healey, Shannon Curfman and Jonny Lang.
John Mayall celebrated his 70th birthday during a fundraiser event called ‘Unite for Unicef’ in Liverpool, England and was filmed, recorded and released as a DVD and double CD in December of 2003. The concert featured old friends Eric Clapton, Mick Taylor and Chris Barber.
The BBC aired an hour-long documentary of John’s life and career entitled ‘The Godfather of British Blues.’ Mayall was also awarded an OBE (Orders, decorations, and medals of the United Kingdom) by The Queen’s Honours list.
In 2007, John Mayall released his 56th album, the critically-acclaimed … In the Palace of the King a tribute to Freddie King.
John Mayall has also released numerous live recordings on his own online label, Private Stash Records which are available on his website at www.johnmayall.com.

In 2008, John Mayall officially retired the name ‘Bluesbreakers’ and opened a new chapter with The John Mayall Band.
In 2009, John Mayall released Tough with his new band.

I had the rare privilege of chatting with John Mayall recently about the current tour, his incredible band of blues virtuosos and a musical career that has spanned more than 50 years.
Here’s my interview with singer, songwriter, multi-instrumentalist, producer, and legendary leader of The Bluesbreakers … JOHN MAYALL.
Ray Shasho: Hello John, happy Friday the thirteenth.
John Mayall: “Is that what day it is … oh my God.”
Ray Shasho: You’re currently on a rather lengthy tour.
John Mayall: “Not sure which tour you’re talking about, we do several tours. We’ve got an east coast tour which is almost three weeks, is that the one you’re talking about?
Ray Shasho: So you correlate the tour as east coast or west coast in the states and maybe by continent when travelling abroad instead of classifying it as a worldwide tour?
John Mayall: “It’s just whenever the offers come in and where the agents can group together and we tour. The next one we’re doing is the east coast tour and like I say is about three weeks.”
Ray Shasho: You’ve got about eighty confirmed dates worldwide and counting, in my book that’s still a lot of touring.
John Mayall: “It’s really nothing …nothing at all.” (All laughing)
Ray Shasho: John, you’ll be making a rather rare appearance in Sarasota, Florida on November 29th at the Municipal Auditorium. I for one is extremely excited to have John Mayall performing in my backyard.
John Mayall: “We’ll certainly try and stir things up for you. I will also be celebrating my 80th birthday when we perform in Sarasota.”
Ray Shasho: I just can’t believe it.
John Mayall: “Yea, time rolls on doesn’t it?
Ray Shasho: It’s obvious you still have a passion for touring and you look incredible man …Do you have any secrets for looking young and keeping so incredibly fit?
John Mayall:No, I guess I’m just blessed with good genes I suppose. But I keep healthy and I’m always very active and always have been so. I don’t really see any signs of aging yet. Music keeps you young.”
Ray Shasho: We have a lot of Brits that live here in Sarasota, usually on a part-time basis, do you have any connections here?
John Mayall:Florida is a state that we don’t get to nearly often enough, but we don’t pick places, it always has to do with promoters in various areas and coming forward with gig offers. So it’s not really up to us.”
Ray Shasho: John, I really like your current band … Rocky Athas on guitar, Greg Rzab on bass guitar and Jay Davenport on drums … they’re all amazing musicians.
John Mayall: “They are pretty amazing; we’ve been together for five years now but it really doesn’t feel like anything at all, we just love playing together.”
Ray Shasho: They all have incredible resume too. What inspired you for putting this particular band together?
John Mayall: “Initially it was because I was taking a break after the disbanding of The Bluesbreakers and it coincided with Eagle Records wanting a new album. It was the last one on the contract that I have with them and that kind of triggered a new chapter.”
Ray Shasho: The band definitely captures that traditional classic blues sound and image onstage. I watched numerous You Tube videos from various 2013 live performances and the band sounds great! My favorite video was the group performing “Stormy Monday” the classic T- Bone Walker tune at B.B. Kings … just awesome!
John Mayall: “We just started doing that one again. A lot of things songs we lay dormant for several years and then decide to bring them out again … giving them a fresh life.”
Ray Shasho: John, it’s reassuring seeing the blues persevering and attracting audiences worldwide.
John Mayall: “Just judging by the amount of young players that always seem to be popping up … it will. Some of them are better than others, but the whole point about it is they are all attracted to the blues and want to play it.”
Ray Shasho: I’ll admit, I’ve been worried about the blues genre sustaining. Younger generations may not be able to sense or experience what it takes to conceive a bona-fide blues song … maybe too preoccupied with their cell phones.
John Mayall: “Anybody can get the blues because the world in a tangle the way it is; there are plenty of things to get you depressed about. Smartphone’s aren’t for everybody, there is an amazing amount of young players who devote all of their time to learning the guitar or whatever instrument …it’s usually guitars that seem to attract everybody.”
Ray Shasho: You play a variety of instruments effortlessly and you’re also an incredible harp player. I’ve never been able to master the harmonica, were there any special techniques that you used in learning how to play?
John Mayall: “It’s all self-taught and I just bumble my way through it into whatever best way I can. I don’t know how to explain it; I guess I do the best I can with any instrument I get attracted to. But they’re just tools in order for you to express yourself and that’s really the upshot of it.”
Ray Shasho: There were so many great blues artists from the very early days. Kim Wilson of the Thunderbirds introduced me to Harmonica Frank Floyd who actually played the harmonica without holding it or assistance of a neck brace while singing at the same time. And Maria Muldaur turned me on to the legendary Memphis Minnie.
John Mayall: “There was a lot to listen to out there. Memphis Minnie was one of the very few and very popular female blues singers and guitar players in the 30’s. She was a friend of Big Bill Broonzy who saw it all from that era of the 30’s and 40’s.”
Ray Shasho: John, what do you remember about growing up in England during World War II?
John Mayall: We had the bomb shelters in the schools and had air raid drills. So I guess that was exciting I suppose. It was all part of what was going on. I was about eleven or twelve so I remember a lot of it. We lived about twelve miles from Manchester and Manchester was bombed pretty heavily. You could see the sky was red from the bombs.”
Ray Shasho: Was it difficult finding blues music while growing up in England?
John Mayall: “I had my father’s record collection right from when I was a kid and so I was kind of weaned on jazz and blues … mainly on jazz I suppose. 78’s were the only thing invented at that time, so there were plenty of 78’s to get the background of what was going on.”
Ray Shasho: Jim McCarty told me that Eric Clapton actually auditioned for The Yardbirds. Did he have to audition for The Bluesbreakers?
John Mayall: “No, he was a known quantity by then. The Yardbirds were a pop band from the beginning although they were doing blues material. Their final direction showed where they were really at.”
Ray Shasho: John, here’s a question that I ask everyone that I interview. If you had a ‘Field of Dreams’ wish like the movie, to play, sing or collaborate with anyone from the past or present, who would that be?
John Mayall: “I guess Big Maceo Merriweather was one of the people that I missed. He’s my idol on piano. So he’s the first one that comes to mind. I just feel lucky because I’ve played with most of the people who are no longer with us, so it’s great to have had that experience. But there are lots of people I would have loved to heard play … Lead Belly… Blind Lemon Jefferson … All the pioneers of boogie-woogie … just so many people, the list is endless.”
Ray Shasho: John, thank you so much for being on the call today but more importantly for all the incredible music you’ve given us and continue to bring. We’ll see you in Sarasota on November 29th for your 80th birthday.
John Mayall: “Excellent Ray, we’ll see you in Sarasota.”

John Mayall’s 80th Birthday Concert starring The John Mayall Band will be performing on Friday November 29th at the Sarasota Municipal Auditorium in Sarasota, Florida with special guests Larry McCray and Tucci. For tickets and further information visit www.brownpapertickets.com/event/466811 or call (941) 954-4165 for more information. The Sarasota Municipal Auditorium is located at 801 N. Tamiami Trail, Sarasota, FL 34236.
John Mayall official website www.johnmayall.com
John Mayall tour schedule www.johnmayall.com/tour.html
John Mayall on Facebook
John Mayall on Myspace
John Mayall Historic Live Shows (Never before released live recordings from the 70’s to the 90’s) available to purchase at CD Baby!

Very special thanks to Jane Ebdon

Coming up NEXT … My interview with Julian Lennon

Contact classic rock music journalist Ray Shasho at rockraymond.shasho@gmail.com

Purchase Ray’s very special memoir called ‘Check the Gs’ -The True Story of an Eclectic American Family and Their Wacky Family Business … You’ll LIVE IT! Also available for download on NOOK or KINDLE edition for JUST .99 CENTS at amazon.com or barnesandnoble.com - Please support Ray by purchasing his book so he can continue to bring you quality classic rock music reporting. 

  
“Check the Gs is just a really cool story ... and it’s real. I’d like to see the kid on the front cover telling his story in a motion picture, TV sitcom or animated series. The characters in the story definitely jump out of the book and come to life. Very funny and scary moments throughout the story and I just love the way Ray timeline’s historical events during his lifetime. Ray’s love of rock music was evident throughout the book and it generates extra enthusiasm when I read his on-line classic rock music column on examiner.com. It’s a wonderful read for everyone!”stillerb47@gmail.com


© Copyright rayshasho.com. All Rights Reserved





Wednesday, September 18, 2013

Roger Earl Interview: ‘Foghat’ Legend Talks about Willie Dixon and Honoring the Blues


By Ray Shasho:


Roger Earl is the prodigious drummer and founding member for rock & blues legends Foghat. Earl is the only band member to appear on every album that Foghat has ever recorded. Roger Earl’s ingenuity is responsible for embracing and sustaining the Foghat legacy.

Savoy Brown: In 1968, Kim Simmonds decided that his band Savoy Brown needed a new direction and brought in Chris Youlden as their lead vocalist, Lonesome Dave Peverett on guitars, Rivers Jobe on bass, and Roger Earl on drums with perhaps one of the bands strongest lineups to date. Savoy Brown toured and recorded extensively spawning the albums Getting to the Point, Blue Matter, (featuring the hit single, “Train to Nowhere”) A Step Further, (featuring crowd pleaser, “I’m Tired,”) Raw Sienna and Looking In. Savoy Brown quickly developed a huge fan base in the U.S and became a mainstay on progressive rock format radio and concert arenas worldwide.

Foghat: In 1970, new bassist Tony Stevens, rhythm guitarist and vocalist Lonesome Dave Peverett, and drummer Roger Earl left Savoy Brown to form their new band Foghat. In 1971 they brought in slide master Rod Price (Black Cat Bones) on lead guitar and Foghat was officially launched. The band prominently expressed its British blues roots early on with the release of Willie Dixon’s penned “I Just Want to Make Love to You.” With the addition of their mega hits “Slow Ride” , “Fool for the City” and the commercially successful Foghat Live album, (selling over two-million copies) the band became mainstays on FM Rock radio worldwide.

Throughout the 70’s the band toured extensively, usually supporting headliners, but eventually became the headliners while selling out arenas and stadiums. After numerous personnel changes the original Foghat members reformed in 1993.

In 1994, the original Foghat lineup released their thirteenth studio album entitled Return of the Boogie Men. Foghat also released a live album called Road Cases and an album recorded on the syndicated radio show King Biscuit Flower Hour in 1999.

In 2000, Lonesome Dave Peverett died of pneumonia and complications stemming from kidney cancer at the age of 56 years old. Then in 2005, ‘The Magician of Slide’ Rod Price died after suffering a heart attack before falling down a flight of stairs. Price was 57 years old.

Most recently: Foghat’s current line-up is the strongest since its heyday and features original drummer Roger Earl leading a rejuvenated and talented band of rock and roll musicians. Slide guitarist Bryan Bassett was a founding member of Wild Cherry(“Play that Funky Music”) and also played with Molly Hatchet, vocalist and guitarist Charlie Huhn performed with Ted Nugent and Jerry Shirley’s Humble Pie, while bassist Craig MacGregor shared his musical talents with legendary artists such as Muddy Waters and Johnny Winter to name a few.

Foghat’s most recent release entitled Last Train Home (2010) has received rave reviews. It’s a back to basics rock & blues triumph! Last Train Home is an incredible blend of blues classics and brand new Foghat material. The album also features Roger’s Brother, Colin Earl on keyboards, Lefty “Sugar Lips” Lefkowitz on harmonica, Eddie “Bluesman” Kirkland on vocals and guitar, and Jeff Howell on bass. The album spawned “495 Boogie” which was the foundation for their latest single "The Word of Rock n’ Roll." The lyrics for the song were written by Phil Dessinger one of their fans after winning a contest.

I gave Last Train Home (5) StarsThe album definitely kicks-ass!

Foghat will be performing at ‘Born to Ride Day of the Dead Jam Music and Motorcycle Festival’ on Saturday November 2nd at England Brothers Park in Pinellas Park, Fl. Foghat will be joining co-headliners Paul Rodgers (Bad Company) and Joan Jett &The Blackhearts along with Blackberry Smoke, Molly Hatchet, David Allan Coe and Soul Circus Cowboys. -For tickets and information visit http://borntoridejam.com/ or call 1-877-987-6487 to charge by phone. For additional information call 813-531-4051. Gates open at 11am.

Foghat will also be performing at the 16th Annual ‘Thunder by The Bay Motorcycle Festival’ on Saturday January 11th, 2014 at 8 pm on Main Street in Downtown Sarasota. -For further information visit www.thunderbythebay.org or call 941-371-8820 Ext. 1800.

Recently, I had the great pleasure of chatting with the original drummer and founder of Foghat, Roger Earl about meeting Willie Dixon, their latest studio release Last Train Home, touring, Kim Simmonds & Savoy Brown, Dave Edmunds, and of course my infamous ‘Field of Dreams’ wish question.

Here’s my interview with the legendary drummer, singer, songwriter, chef, wine entrepreneur, leader and founder of classic rock legends Foghat … ROGER EARL.
Ray Shasho: Hello Roger, how are you doing?
Roger Earl: “Hello Ray, I’m doing okay, how are you doing?”
Ray Shasho: I’ve been chatting with a lot of drummers here of late … I talked with Corky Laing most recently and Billy Cobham before that.
Roger Earl: “I love Corky, he and I are good friends. Billy is a great-great drummer, I saw him a couple of times actually and he does stuff that mere mortals can only dream about.”
(All laughing)
Ray Shasho: So how’s the tour coming along Roger?
Roger Earl: “The tour has been doing great this year; we’ve been all over the place …north, south, east and west and we keep seeming to be yo-yoing a lot from east coast to west coast and that’s okay. Yea, so it’s been a very exciting touring year and it’s not over yet, we’ve still got lots of dates to do.”
Ray Shasho:You’ll be performing in Sarasota, Fl. for the ‘Thunder by the Bay Motorcycle Fest’ on January 11th 2014.
Roger Earl: “We’re also going to be performing at Born to Ride Day of the Dead Jam Music and Motorcycle Festival in Pinellas Park on November 2nd. Actually we have a home down in Florida and also a studio in DeLand, halfway between Orlando and New Smyrna Beach in the middle of nowhere. We have a band house there where we record, rehearse, and kickback in the winter learning some new old songs.”
Ray Shasho: I watched the original Foghat lineup perform six times, mostly at the Capital Centre in Maryland. You guys supported a lot of bands like the J. Geils Band and Black Oak Arkansas before finally headlining the 18,000 plus arena in 1978.
Roger Earl:Two reasons I remember that. We recorded there one time and another time we flew in there and it was back in 1977 when we had our own plane for awhile and I forgot to put my sneakers in my bag and had to play barefoot. It wasn’t such a problem once the pedals warmed up a bit. So that’s why I remember the Capital Centre.”
(All laughing)
Ray Shasho: Foghat’s “The Word of Rock n’ Roll” single is a great tune! This was actually a contest where the fans added the lyrics to “495 Boogie.” How many people actually contributed to the lyrics?
Roger Earl: “We recorded it on our last album Last Train Home and it was an instrumental, my Brother Colin played piano on the album and was really cool. So he came up with the song. He just started playing and I said that sounds great Colin, let’s do that one! So we ran through it once to get the arrangement down and the chords, then the second time …that was the take. Foghat has never done an instrumental. Then a good friend of ours who is a deejay, Charlie Ocean, wrote the lyrics and renamed it “Big American Blonde,” and then recorded it on the song. But it was a little risqué and never really made it on the radio. So the idea was to mention about doing the vocals for it. Unfortunately, Charlie passed away in July of 2011.”

“We decided to run a competition for all our fans to write the lyrics and also had to sing them to some degree or another. Actually the quality of the songs was really impressive and some of the singers were really-really good. It was difficult but we narrowed it down to about three songs. The band, Ken Dashow from WAXQ Radio in New York City, and Jeb Wright a good friend of ours from Classic Rock Revisited were the judges. We picked one, Phil Dessinger was his name, he wrote the lyrics, we redid it and mixed it and there we have it. The song has a very positive lyric line to it about being on the road and enjoying it. It’s kind of like a basic rock and roll song, like a Chuck Berry kind of thing. Where would we be without Chuck?”
Ray Shasho: Where would we be without the early ‘American Blues’ artists?
Roger Earl:I’ve been a big fan of the blues since I first began listening to it. I also got the chance over the years to play with a number of my heroes. I played with Muddy Waters, John Lee Hooker, and went and had dinner at Willie Dixon’s house. Muddy was a beautiful man, really-really cool, and Willie Dixon was just fantastic. What’s really cool is when you meet your musical heroes and they don’t let you down. They were very gracious and had lots and lots of stories.”

“One of the things I remember about Muddy is we did this show called Foghat’s Tribute to the Blues at the New York Palladium. It was to raise money for the New York Public Library; they didn’t have a decent blues record collection. It gave us an excuse to get together with our heroes and actually play with them and we were doing just fine at the time financially. Anyway, we’re backstage and we’ve been in New York City for about a week rehearsing with everybody. Muddy was backstage and looked over at one of the performers on the stage, Eddie “Bluesman” Kirkland and looked over at Eddie and he said … “I know you.” And I said to myself, how cool is that, because you can never remember everybody’s name, you meet hundreds of players, musicians, and people. What a way to greet somebody … “I know you.” What are you going to say, no you don’t! So I stole that from Muddy. If I can’t remember somebody’s name, I go, “I know you.”

(All laughing)

“Muddy was special and a beautiful man. It was a sad day when we lost him. Willie Dixon … I think was one of the greatest influences certainly on blues music and contemporary rock and roll. He was beautiful. We went there …myself, Dave and Rod actually turned up in the Southside of Chicago and had dinner with him and his family. Everybody in the family played guitar or piano. We were all sitting down and eating and talking. Of course we asked Willie about certain songs and stuff and he says …”Yea.” So he sends one of the kids upstairs to bring down a 78 rpm of some obscure tune and I remember Rod Price and Lonesome Dave drooling. But we’ve stayed in touch over the years and it was a sad day when we lost him.”
Ray Shasho: Many of those early blues legends never seemed to get the due praise and credit they truly deserved.
Roger Earl: I think Willie did okay, he had that one issue with Led Zeppelin’s management where he wasn’t given credit, but I think that got settled. But not by Foghat mind you … who was the first to give credit where credit was due. That’s how we got to meet Willie Dixon because he wrote “I Just Want to Make Love to You” and obviously performed by Muddy Waters. That was our first big single over here and came off the first album in 1972. Then in 1977 we released Foghat Live and the single off of that album was “I Just Want to Make Love to You” which was a hit again. By then Willie was saying, “Who are these Foghat guys?””

“We had a three day spell playing in Chicago. On the first night, Willie’s daughter came down to see us. The second night she actually came back with her Brother Butch who I believe later became Willie’s road manager. Then on the third night we played there they brought their dad down. So there we were standing around with Willie Dixon, and as far as we were concerned in the presence of greatness. He was a tall man and had this incredible smile and a wonderful way with people. I remember Dave introduced him on stage and said, “Without Willie Dixon there would be no rock and roll.” And that’s pretty close to the truth. Then Willie invited us over to his house and we managed to talk with him a number of years after that.”
Ray Shasho: I had the opportunity to chat with one of your old bandmates from your Savoy Brown days Kim Simmonds. Kim is such a great guy.
Roger Earl: “Actually, I recently inducted Kim into the New York Blues Hall of Fame. I live out on Long Island and decided to take the train, in case we decided to have a few drinks. I got there and Kim was playing at a place called the The Iridium. Kim and I keep in touch; we talk two or three times a year. So I went inside and told Kim, they’ve asked me to induct you into the Blues Hall of Fame tonight. He gave me a look, like … Oh dear, Rogers inducting me?”

“At the ceremony I started by saying …Kim gave me my shot and I’m forever grateful. I think Kim might be playing better than ever and his voice has dramatically improved. He sounds like a great singer now. It was a lot of fun, I got up and played a couple of new songs with his band and had a good time that night.”
Ray Shasho: I wouldn’t mind seeing Roger Earl on a Kim Simmonds/Savoy Brown album or Kim Simmonds on a Foghat album.
Roger Earl: “I would do that! We’ve actually discussed it but we’re never quite able to organize it with our varying schedules. There is the possibility though …but time is rolling on.”
Ray Shasho: Roger, I have to apologize for not getting the opportunity to review your last studio album entitled …Last Train Home and especially for not having the opportunity to rave about it … it’s definitely a kick-ass album! So I’ll be reviewing it with this interview and I’m giving it (5) stars.
Roger Earl: “Thank you! Actually we were really pleased with the way it turned out. It wasn’t a difficult record to make. It’s something Dave and I talked about a number of times when Dave was alive but we never got to do it. Foghat always recorded one or two blues songs on their albums and it was something I wanted to do. I said to the guys in the band, everybody pick two or three songs that they wanted to do, then we’ll get together down in Florida and we’ll play them. The ones that work we’ll do and the ones that don’t we’ll just put on the side. It wasn’t difficult; it really was a labor of love. It was really enjoyable; I got to play with my Brother Colin who plays piano. Colin played on our first album and a few others from time to time but was busy with his band Mungo Jerry and then his subsequent band the King Earl Boogie Band. We never really got the chance to play together. Eddie “Blues Man” Kirkland who we played with back in 1977 came down and we played for hours and hours. It was very special and we really had a good time.”
Ray Shasho: The band is incredible and with quite a resume. Slide guitarist Bryan Bassett was a founding member of Wild Cherry and also played with Molly Hatchet, Charlie Huhn played with Ted Nugent and Humble Pie, bassist Craig MacGregor played with Muddy Waters and Johnny Winter to name a few. And of course Eddie “Blues Man” Kirkland contributed on the album.
Roger Earl: “I think what Charlie did with Ted Nugent was certainly some of Ted’s best stuff. And there’s also something to be said for taking over for Steve Marriott of Humble Pie. Unfortunately our bass player Craig MacGregor couldn’t make this record; he had a problem with a nerve in his left hand, but he’s back with us now better than ever. A good friend of mine Jeff Howell who played with numerous bands and Foghat from time to time played bass on it and did a fantastic job. We also had a harp player, Lefty “Sugar Lips” Lefkowitz who is also a good friend of mine. So we had the Foghat blues band.”
Ray Shasho: With the horrible way the music industry has been over the past twenty years or so, it was really refreshing to hear a pure rock and roll album again.
Roger Earl: “The album wasn’t hard or a stretch for any of us, it was actually a real joyous bunch of sessions that we did. We started off with rehearsals here in Long Island and finished everything down in Florida. Most of the songs were done by the second or third take. But there’s an attitude to playing blues and rock and roll. It was a lot of fun doing it … in fact, I might do it again!”
Ray Shasho: Rocker Dave Edmunds was instrumental to Foghat’s debut album. How’s Dave doing these days?
Roger Earl: “I haven’t talked with David in a number of years. Dave doesn’t tour too much; the last time he did was with Ringo Starr. I have a great deal of respect for Dave Edmunds. When we were doing our first album and we basically got a record deal through Albert Grossman, Dave and Foghat were using the same studio. Dave had the nightshift and we were taking over from about midday to midnight. Of course the sessions would crossover and we would go in and listen to him and then he would hangout and listen to us. We were struggling at the time, we could play but we weren’t producing. It may have been our management at the time. We were struggling with the tunes so we asked Dave to help us out. I seem to remember when we started working on “I Just Want to Make Love to You” and it might have been the first song that we started working with Dave Edmunds. He just sprinkled some of that magic dust on it, in fact the whole album I think, even the ones that he didn’t like, finalize, or work on initially. The album wouldn’t have been nearly as successful as it was without Dave. He’s a great musician and producer.”
Ray Shasho: Did you play skiffle music when you were young?
Roger Earl:I was about four years behind on that. But yes, when I was about eleven years old I just moved into senior school and I remember we did have a skiffle group and I had a standup tea chest, a broom handle and a piece of string. I think that lasted about a week. Then after that, it wasn’t until I was about thirteen when I made the decision that I needed to play. My father took me to see Jerry Lee Lewis in South West London and I was never the same after that. Jerry Lee had a huge impact on my attitude to music, what and how I wanted to play. I could never quite master the drum work he had during the early Sun Record days. My father brought home his first records and introduced the household to Jerry Lee Lewis. He’d put them on the record player and say … “This boy can play the piano!” (All laughing) Dad played piano as well.”

“As far as the drummers go … Earl Palmer from New Orleans was one of my earliest influences for playing and also Fred Below who was on most of the early Chess Record recordings. You’ve got to give the drummers some credit too. (All laughing)”

“Around the same time we met Willie Dixon in Chicago, we had a night off somewhere and Dave and I went out to this place called Mother Blues. Dave and I walked in and I go over to the bar like I often do. Dave is just in the doorway transfixed and looking at the stage. So I get my drink, wonder back to Dave and hand him a glass of wine. He says to me, “Do you know who that is playing drums?” I said no. He said, “That’s Freddie Below.” We went up and talked with him during the break and shook hands. Dave was more mesmerized than I was. We both got up and played a few tunes. I’ll never forget Dave saying … “You know who that is?” I think it’s imperative in music to never forget about being a fan. It’s the joy of music why we do it for. At least that’s why I do it.”
Ray Shasho: Roger, I thought it was interesting that you auditioned for both Jimi Hendrix and Arthur Brown.
Roger Earl: “Actually, the reason why I auditioned was that I was already in Savoy Brown and at that point hadn’t been paid. It was a blues band. I still had my day job, I was a commercial artist. We were doing about two or three shows a week and came in to work looking very tired. After about two weeks, I went up to the manager’s office which was the same as the booking agent and his name was Harry Simmonds, Kim’s Brother. So I said Harry, I haven’t been paid yet, am I going to get paid? Harry said, “You haven’t been paid, we’ll have to see about that.” This went on for about six weeks and I thought maybe I’d better start looking for work. If they don’t want to pay you there must be a problem.”
Ray Shasho: So the real reason you left Savoy Brown was because you weren’t getting paid?
Roger Earl: “I think it was just time for a change. We both did well after that. Kim’s band Savoy Brown went on and made some terrific records and Foghat did the same. It probably wasn’t a bad move in either of our parts. Kim’s still here and he’s a great player and I’m looking forward to playing with him again sometime. Things have a way of working out.”
Ray Shasho: Bassist Tony Stevens had rejoined Foghat for awhile, what is he up to lately?
Roger Earl: “Tony Stevens was always difficult to work with; he was always getting fired from whatever band he was in. He was the only one who got fired from Savoy Brown. He went off to England one time when we were supposed to be starting a new tour. Basically it was not a happy relationship and it wasn’t working. So he got fired and then sued us for the name and went out as Foghat. He had been bought out of Foghat for thirty-five thousand dollars back in 1974 … and that was a lot of money back then. When he was invited to join again, he didn’t get any rights to the name Foghat and he decided he wanted to be Foghat. So we were in a huge lawsuit and we won. Half a million dollars later … I’m on the road again and he’s in Thailand or somewhere. Let me put it this way, there’s no love lost there.”
Ray Shasho: In the summer of 2010 …Bobby Rondinelli replaced you for some gigs?
Roger Earl: “I took a fall and broke my back across three vertebrae. That’s never happened before; we were playing this Casino in Oklahoma and I went on stage to check the monitors and the drums and I went to step up on the side of the drum riser and there was nothing there. So that wasn’t a lot of fun. Promoters live on a rather thin profit margin these days so I called Bobby. Bobby Rondinelli is a great drummer and can do just about anything … and we’re good friends. So, he did a good job for awhile. I got back ASAP because I didn’t want anybody taking my place. (Laughing)”

“Then another time we were in Canada and I went down to sit on my drum stool and it collapsed underneath me. But I’m doing fine now; I work really hard on keeping healthy.”
Ray Shasho: I heard you’re quite a connoisseur of wines?
Roger Earl:Not really a connoisseur, I just like to drink the stuff. We do make some fantastic wines called Foghat Cellars. We just released a 2010 Chardonnay, a 2010 Pinot Noir, and also have a 2012 Cabernet Sauvignon coming out. It’s a lot of fun. I met Steve Rasmussen in 2007 when we played the California Mid State Fair, we did two shows there, both sold-out, and then he sent an email to our manager saying … you’re probably already doing this but would you be interested in making some Foghat wine? I started giggling and drooling and said …Yes please! Yes please! You can visit Foghat Cellars at www.foghatcellars.com.”
Ray Shasho: I understand you’re also a great cook, I watched ‘Roger Earl’s Rockin’ Kitchen’ on You Tube recently, what is that all about?
Roger Earl: “I do like to cook any chance that I get. I have in my house about a dozen people to cook for. About six to eight people is the perfect size because you can talk and hear each other. It came up …Why don’t you do a TV cooking show? So we did a couple of pilots and it turned out interesting … so we’ll see. But I like my job of playing drums… that’s my favorite. Craig MacGregor our bass player is also a chef. So the band doesn’t go hungry when we’re recording or rehearsing down in Florida.”
Ray Shasho: Roger, here’s a question that I ask everyone that I interview … If you had a “Field of Dreams” wish, like the movie, to play or collaborate with anyone from the past or present, who would that be?
Roger Earl: “Give me a minute, that is like your wish list isn’t it. Hands down I would love to play drums with Jerry Lee Lewis, Chuck Berry on guitar and Willie Dixon on bass. I might have a contemporary singer, someone like Paul Rodgers who is probably one of the greatest singers out there or one of my favorite early singers is probably Chris Youlden of Savoy Brown. Jerry Lee Lewis, Chuck Berry, Willie Dixon on bass and me playing drums … that would have been a ‘Field of Dreams’ for me.”
Ray Shasho: One of my favorite singers is also a favorite of yours … Humble Pie legend Steve Marriott.
Roger Earl: “Oh, I can spend an hour talking to you about Steve Marriott. We toured incessantly with Steve Marriott and Humble Pie and the J. Geils Band. Stevie particularly endeared himself to me. It might have been one of our early big shows and we were supporting Humble Pie. For some reason the crew was giving our crew a hard time about the sound and the lights, about what we had or couldn’t have. I think either our road manager or manager had mentioned it to Steve, who was five foot something, and he walked out on stage and said… Alright, don’t give f*ing Foghat any f*ing problems, give f*ing Foghat whatever the f*ck- f*ing Foghat wants, alright? And we never had another problem. We became good friends with Stevie after that. Dave and I would hang out with Stevie into the early hours of the morning, listening to music and getting ripped. Stevie was special and I loved the man.”
Ray Shasho: Roger, thank you so much for being on the call today, but more importantly for all the incredible Foghat music that you’ve given us and continue to bring. We’ll see you in Pinellas Park on November 2nd and in Sarasota on January 11th.
Roger Earl: “I look forward to it Ray and it’s been my pleasure.”

Foghat will be performing at ‘Born to Ride Day of the Dead Jam Music and Motorcycle Festival’ on Saturday November 2nd at England Brothers Park in Pinellas Park, Fl. Foghat will be joining co-headliners Paul Rodgers (Bad Company) and Joan Jett &The Blackhearts along with Blackberry Smoke, Molly Hatchet, David Allan Coe and Soul Circus Cowboys. -For tickets and information visit http://borntoridejam.com/ or call 1-877-987-6487 to charge by phone. For additional information call 813-531-4051. Gates open at 11am.

Foghat will also be performing at the 16th Annual ‘Thunder by The Bay Motorcycle Festival’ on Saturday January 11th, 2014 at 8 pm on Main Street in Downtown Sarasota. -For further information visit www.thunderbythebay.org or call 941-371-8820 Ext. 1800.
Foghat official website www.foghat.net
Foghat on Facebook
Foghat on Myspace
Foghat on Twitter
Visit Foghat Cellars “Music & Wine… Passions Combined” at www.foghatcellars.com
Purchase Last Train Home the latest release from Foghat at amazon.com

Very special thanks to Chip Ruggieri of Chipster PR and Rose Nangano

Coming up NEXT … My latest interviews with the legendary John Mayall of The Bluesbreakers and Julian Lennon chats about his incredible new album.

Contact classic rock music journalist Ray Shasho at rockraymond.shasho@gmail.com
Purchase Ray’s very special memoir called ‘Check the Gs’ -The True Story of an Eclectic American Family and Their Wacky Family Business … You’ll LIVE IT! Also available for download on NOOK or KINDLE edition for JUST .99 CENTS at amazon.com or barnesandnoble.com - Please support Ray by purchasing his book so he can continue to bring you quality classic rock music reporting. 
 
“Check the Gs is just a really cool story ... and it’s real. I’d like to see the kid on the front cover telling his story in a motion picture, TV sitcom or animated series. The characters in the story definitely jump out of the book and come to life. Very funny and scary moments throughout the story and I just love the way Ray timeline’s historical events during his lifetime. Ray’s love of rock music was evident throughout the book and it generates extra enthusiasm when I read his on-line classic rock music column on examiner.com. It’s a wonderful read for everyone!”stillerb47@gmail.com

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