Monday, June 17, 2013

Mike Love Interview: Beach Boys Headed for Seminole Hard Rock in Tampa.


By Ray Shasho

Mike Love is the high-spirited singer, songwriter and founding member for perhaps the greatest and most cherished rock bands in the U.S.A., The Beach Boys. Since the group’s inception in 1961, Mike Love has been The Beach Boy’s quintessence lyricist and showman.

The Beach Boys will be performing at Tampa’s Seminole Hard Rock Hotel & Casino on July 18th at 8:30 p.m., as part of the Hard Rock Heatwave summer event promotion. Tickets for the 21and over concert are $69 and available through Ticketmaster outlets, the Hard Rock Store inside the casino at 5223 Orient Rd, or charge by phone at 1-800-745-3000. Visit the Seminole Hard Rock Tampa official website at www.seminolehardrocktampa.com.

The Beach Boys founding member Mike Love and longtime keyboardist & vocalist Bruce Johnston, who joined in 1965, will be accompanied by a group of incredible musicians including Love’s son Christian Love on guitars, Randell Kirsch (bass guitar & vocals), Tim Bonhomme (keyboards & vocals), John Cowsill (drums &vocals) and Scott Totten (musical director, guitar, vocals). John Cowsill was also the drummer for the group that inspired The Partridge Family … The Cowsills.

Brian Wilson, Al Jardine and David Marks will be taking their own lineup on the road for a separate summer tour in 2013.

The Beach Boys history: In 1961, the three brothers -- The oldest Brian, Carl and Dennis Wilson - were joined by their cousin, Mike Love, and schoolmate, Alan Jardine (who was replaced by David Marks, before rejoining). The Pendletones changed their name to The Beach Boys and celebrated their first hit song called "Surfin'" on the local airwaves in their home state of California. The tune was co-written by Mike Love.

Surfin' Safari their first album with Capitol Records reached #32 on the Billboard Album's chart the following year. "Surfin' Safari" became their first Top 20 hit.
In 1963, "Surfin'U.S.A." became the Beach Boys' first top 5 hit. The Surfin' U.S.A. album became their first Gold-certified album hitting #2 on Billboard's charts.

The Beach Boys released two more albums that same year (Surfer Girl, Little Deuce Coupe) and again reached Gold- certified status.

After President Kennedy was assassinated on November 22nd, Brian Wilson and Mike Love wrote "The Warmth of the Sun" as a musical reaction to the tragedy on the following day.
The Beach Boys began touring outside the United States in January of 1964. The Beatles first shows in America were on February 9th at The Ed Sullivan Theater and first live appearance at the Washington Coliseum in D.C. on February 11th of 1964.


Also in 1964, "I Get Around" became The Beach Boys first #1 hit song. The Beach Boys Concert (live) became their first #1 album.

Bruce Johnston Joined The Beach Boys in 1965 replacing Glen Campbell who had been a touring member of the group while filling in for Brian Wilson.

In 1965, "Help Me Rhonda" became the group's second #1 hit.

On May 16th of 1966, The Beach Boys masterpiece- Pet Sounds was released, spawning the Top 40 hits "Wouldn't It Be Nice" and "God Only Knows." The album is still considered one of the most influential records in popular music history.

Also in 1966, one of the most expensive productions for that era, "Good Vibrations" penned by Mike Love was completed. The single became their third #1 hit and first Platinum-certified million selling single.

After going to England, The Beach Boys were declared as the only true rivals to The Beatles.
Mike Love’s spiritual pursuit for inner peace led to his lifelong practice of Transcendental Meditation™. In February of 1968, Mike Love accompanied The Beatles, Donovan, Mia Farrow and Prudence Farrow, on a historical pilgrimage to Rishikesh, India to attend an advanced Transcendental Meditation session at the ashram of Maharishi Yogi.


Throughout the 70's, The Beach Boys solidified themselves as America's fun and favorite band, giving us unprecedented releases like the double album compilation Endless Summer.

Mike Love became the undisputed frontman, lead singer and MC for The Beach Boys.

Throughout the 80's and 90's, The Beach Boys headlined (4) Independence Day shows on the Washington Monument grounds. On July 4th, 1985 they played to an afternoon crowd of an estimated one million in Philadelphia and that evening they performed for over 750,000 people on the Mall in Washington D.C. The Beach Boys also played at the Live Aid Concert, Farm Aid concerts, the Statue of Liberty's 100th Anniversary Salute and the Super Bowl.


“Kokomo” was released in 1988. The catchy summertime classic was penned by John Phillips (Mamas & the Papas), Scott McKenzie, Mike Love and Terry Melcher. The song became a #1 hit in the U.S., Japan and Australia. It was the only #1 hit without Brian Wilson’s contribution to the group.

The Beach Boys were inducted into the Rock and Roll Hall of Fame in 1988.

The Beach Boys have sold over 100 million records worldwide and have received more than 33 RIAA Platinum and Gold record awards. The Beach Boys have performed more concerts than any major rock band in history.

The band was honored at the 2001 Grammy Awards, receiving The Lifetime Achievement Award from the Recording Academy.


The Very Best Of The Beach Boys: Sounds of Summer Capitol/EMI's 30-track collection of the band's biggest hits, has achieved massive triple-platinum success with sales of more than two million copies in the United States since its 2003 release.

Most recently The Beach Boys released their 29th studio album entitled That’s Why God Made the Radio in 2012. It was the band’s first album featuring original material since the Summer in Paradise release in 1992. The album reached #3 on Billboard’s Hot 200 chart.

The Smile Sessions Deluxe Box Set (released in 2011) won a Grammy Award for Best Historical Album. The award was announced at the 55th Annual Grammy Awards on February 10th 2013.

The Beach Boys have also recently released their double disc CD, The Beach Boys Live -The 50th Anniversary Tour. An incredible compilation of Beach Boys classic hits performed live during their 50th Anniversary tour in 2012.


Also watch for the release of Made in California, a 6-CD career retrospective Box Set premiering 60- previously unreleased tracks and featuring more than 7 1/2 hours of music from 1961 to present day. Capitol Records target date for the release is August 27th (Available for pre-order now at amazon.com).

Mike Love is responsible for many of the lyrics, concepts and hooks on the majority of classic Beach Boys hits including … “Good Vibrations,” “Kokomo,” “Fun, Fun, Fun,” I Get Around,” “Surfin’ Safari,” “Help Me Rhonda,” “Do It Again,” and “California Girls,” including co-authoring more than a dozen Top 10 singles within a five year period.

The Beach Boys are undeniably a National Treasure.

Love was recently recognized for his decades of dedication to an investment in education and national service by being awarded City Year’s “Seven Generations Award.” He’s also been a longtime supporter of environmental causes. He created the “Love Foundation” which supports national environmental and educational initiatives. Love is a member of the Board of Directors of the Incline Academy in Incline Village, Nevada and responsible for raising over one million dollars to benefit the school.


Mike Love is happily married with eight children and spends time between his homes in Southern California and Lake Tahoe.

Here’s my recent interview with The Beach Boys legendary singer, songwriter, and humanitarian … MIKE LOVE.
Ray Shasho: Hey Mike, thanks for being on the call, are you in California today?
Mike Love: “Actually I’m in Incline Village, Nevada at Lake Tahoe. I have a house in the High Sierra’s looking over beautiful Lake Tahoe which is twenty- six miles long or something like that … maybe it was twenty- six miles across the sea, Santa Catalina is a-waitin’ for me (Lyric by The Four Preps). Anyway its gorgeous here, a beautiful day and couldn’t be nicer.”
Ray Shasho: The Beach Boys had a couple gigs recently in California and the band actually played a few days ago in Saratoga?
Mike Love: “Exactly, Saratoga was a phenomenal concert. First of all it’s a beautiful setting; second of all it was sold-out, third of all the audience response was spectacular. It was so fantastic, there was mom and dad’s up front dancing with their children. There was a little girl about six or seven years old just bopping around on every song, sixteen and seventeen year old girls, and then senior citizens, just all ages having a blast. The night before and Saturday night we did a show at the San Diego County Fair in Del Mar, at the fairgrounds, and there was about twelve thousand people there. Before that we were out in the desert at a casino out near Palm Springs and that was sold-out, then Thursday night we were in Chumash at an Indian Casino up in Santa Barbara, California and that was sold-out in advance. So we’ve had a really great run lately and were looking forward to coming to Florida. We always do like Florida …it’s like the third best state in the country. We like California and Hawaii and then Florida (All laughing).”
Ray Shasho: This will be The Beach Boys first appearance at the Seminole Hard Rock in Tampa?
Mike Love: “It is. We’ve played the Hard Rock over in Hollywood. We’ve also played at the Hard Rock in Orlando but it was more of a private thing. I love playing the Hard Rock’s; they’ve got a great stage, great lighting, great sound, and not so humongous, its more intimate, so we love playing theaters and clubs where the audience has a really good chance to see and hear the group and where the acoustics are good. I like it when we can hear what we’re doing. Originally when we started out we did our shows on sound systems that were engineered to announce wrestling matches (Laughing). Between 1961 through 63 it was really basic, but then all of a sudden rock and roll became big business, companies sprouted up and created really nice sound systems. I think between The Beach Boys, The Beatles, The Rolling Stones and innumerable acts after that … rock music became a huge economic force.”
Ray Shasho: In today’s age, the business of music has become way stronger than the art of music?
Mike Love: “We came from the 60’s era, when we started and made so many hits. The song value from the 60’s was so darn good, you’ve got The Beatles, The Beach Boys, all of Motown and plenty of other people too … amazing records, amazing songs. Sometimes there are different phases that music goes though and the public appreciates depending on their age and all that. We’re very fortunate to be able to do a body of work that has lasted 50 years now and multiple of generations love The Beach Boys and we love doing those songs in places big and small, far and wide.”
Ray Shasho: Happy belated 50th anniversary by the way.
Mike Love: “It’s the 50th anniversary of “Surfin’ U.S.A.” how about that?
Ray Shasho: Mike, I’m originally from the Washington D.C. area, so every Fourth of July, I still hold fond memories of those traditional Beach Boys concerts on the National Mall grounds.
Mike Love: “We think about that too every July Fourth … why aren’t we doing D.C. again?”
Ray Shasho: I also attended Baltimore Bullets basketball games at the Civic Center back in the early 70’s and remember watching your brother Stan Love playing power forward.
Mike Love: “That’s true and with the Lakers for a little while, he’s buddies with Pat Riley. As a matter of fact Pat Riley along with my nephew Kevin Love (Minnesota Timberwolves) came to our show in Spain last year on our 50th tour. It was so nice; he invited us to a game whenever we were down in Miami. He hung out with my brother Stan back in the day when they were playing together.”
Ray Shasho: You’ve got the NBA in your blood, you must be good at playing ball?
Mike Love: “Those guys are the basketball players; I was a long distance runner in school. I was preparing to do long distance with The Beach Boys (Laughing).”
Ray Shasho: Mike, who were some of the acts that got you interested in music and wanting to start your own band?
Mike Love: “Number one is Chuck Berry, number two, a number of doo-wop groups, but I also liked The Kingston Trio, as a matter of fact our song “Sloop John B” was originally recorded by The Kingston Trio. A lot of guitars were bought to emulate The Kingston Trio. I bought one too and so did Al Jardine one of the other group members. But I really loved R&B, the blues, rock and roll … Jerry Lee Lewis, Fats Domino, Little Richard and all those really raw energetic rock and roll tunes. Of course Elvis has some great stuff too. The Everly Brothers were a big influence on us because their blend was so great. Brian and I used to sing the Everly Brothers style all the time.”
Ray Shasho: The Beach Boys had a mutual admiration relationship with The Beatles, did you know Elvis Presley?
Mike Love: “Yea, we met Elvis a couple of times. Once we did a recording session out in Hollywood and he was in the next studio over. We were talking with him about touring because he was getting ready to go back out of retirement and go on tour. Then another time we caught up to him at the Hilton Hotel in Las Vegas. Yea, he was a really nice man, couldn’t be nicer, a guy’s guy you know? He was Elvis all the way.”
Ray Shasho: I recently had an interesting metaphysical conversation with Dave Davies of The Kinks. You’ve studied Transcendental Meditation for years; do you still continue to meditate regularly?
Mike Love: “I did it this morning and will do it again this evening. What Maharishi teaches in Transcendental Meditation is to be on twice a day, in the morning and in the evening before meals. What it does is you’re able to drop your metabolism at a level of rest twice as deep as sleep. Profoundly relaxing and restful and gives you more clarity and energy and helps you rebound and not overreact to stressful situations. So it’s really valuable. Especially the energy part, like if you’re feeling a little tired you sit and meditate for awhile, it doesn’t replace sleep but it does help repair the fatigue that comes from lack of sleep and or from stressful situations. It’s really been a huge benefit to me over the years; let’s see I learned in the summer of 1967 from Maharishi in Paris and so did several of the group members.”
Ray Shasho: What is the fourth dimension of consciousness?
Mike Love: “With TM you have the waking state of consciousness which everybody is familiar with, the dreaming state of consciousness which most people are also familiar with, deep sleep and unless you’re an insomniac you’re going to experience that too. With TM there’s a fourth major state of consciousness, you can call it Transcendental consciousness if you like. You’re alert but at a deeper level mentally and physically when you reach that level through the procedure that you’re taught. Yea, it’s a different level of consciousness, I would say.”
Ray Shasho: Mike, are all the lawsuits done?
Mike Love: “Yea, that’s way in the past. It had to be done because I was cheated on songs that I had co-written with Brian and it just needed to be rectified.”
Ray Shasho: Did you receive all the writing credits you were seeking?
Mike Love: “Yea, for the most part.”
Ray Shasho: You wrote all the lyrics to “Good Vibrations”?
Mike Love: “Yea exactly, I wrote all the lyrics and the chorus line. (Mike Love started singing)“I’m pickin’ up good vibrations; she’s giving me the excitations… Yea, so I came up with that and … Round round get around I get around … I wrote the majority of the words there and a lot of songs. Brian and I had a great songwriting partnership and on this last 50th anniversary album it was great to work with all the guys together, it’s called That’s Why God Made the Radio. The unfortunate part was I wasn’t able to get together and write with Brian. It was not to be, even though we had talked earlier about getting together and writing some songs. It just didn’t work out, which is a drag and too bad. I do remember fondly doing all those songs. Maybe out of the fifty top Beach Boys songs, I was probably the co-writer and singing lead on forty of them.”
Ray Shasho: That’s amazing …and you’ve always had the onstage presence of being the leader of The Beach Boys.
Mike Love: “I’m the one person who has been there since the beginning and is still there singing the leads on the majority of the songs. There are other great singers, Brian used to sing the high falsetto thing, he doesn’t do it anymore unfortunately. Carl was an amazing singer; “God Only Knows” was just phenomenal. I marveled at that every night when he sang it. Al Jardine has a great set of pipes and a really good singer. Bruce Johnston wrote “I write the songs” (Barry Manilow Billboard #1Hit) and won a Grammy but he also did “Disney Girls (1957)” on our show which was on our Surf’s Up album in 1971. That’s a beautiful song; he’s got a great voice and is a great songwriter. So we’re lucky to have all that talent in one group in all that body of music. Capitol Records, which is part of the Universal Music Group, is coming out with a compilation of six CD’s and there’s going to be a new record release on it, which I wrote, that never came out before called “Goin’ to the Beach,” and it may be a single, so we’re going to see if we can get the single out while the weather is nice.”
Ray Shasho: I loved all The Beach Boys music, but “Kokomo” (1988) is a tune that always remains as one of my favorites. It was an interesting joint writing effort that also includes you.
Mike Love: “John Phillips of The Mamas and Papas did the melody of the verse but he didn’t have a chorus. So I came up with the chorus … (Mike Love singing)Aruba, Jamaica ooo I wanna take you. John Phillips wrote most of the words in the first verse and I wrote the second verse. Terry Melcher wrote ooo I want to take you down to Kokomo, we’ll get there fast and then we’ll take it slow …so it was a true collaboration. It went to number one and became the largest selling single that we ever had.”
Ray Shasho: That was truly amazing after all those years.
Mike Love: “Twenty-two years after “Good Vibrations” went to number one. And it is amazing …it’s a miracle (Laughing). And it’s a miracle that The Beach Boys music is still alive and appreciated and loved by so many millions of people all over the world. A few months ago we did Hong Kong in a stadium after a Rugby sevens game and there was 40,000 people there, we did Cincinnati after a Red’s game, Red’s versus Cub’s, and there was 42,000 people there, so we’ve done some big places and have done some not so big places, and selling out almost everywhere. We’re looking forward to coming to Tampa.”
Ray Shasho: I chatted with Mark Lindsay about Terry Melcher.
Mike Love: “Terry produced Paul Revere & the Raiders. We were good partners and friends and I really liked him. That’s one of the sad things about life to leave that way, same thing with Dennis and same thing with Carl, a tragedy that’s affected us as a group. But the music goes on and as long as it’s done well, people enjoy it and has provided a lot of pleasure and joy to millions of people … I think that’s the real legacy of The Beach Boys.”
Ray Shasho: The Beach Boys have remarkably stayed together one way or another. And even when all the band members weren’t touring together, you’ve managed to keep the lines of communication open. I’ve interviewed many band members that just flat out hate each other and will probably never talk to one another again.
Mike Love: “This band started out as family, me and my three first cousins, Brian, Dennis and Carl Wilson. There’s always people who want to do their own thing, their own way … Brian has his own band, Al has his and I have mine and we came together last year for a specified number of dates, we did it and had a pretty darn good time doing it. Now we’re back doing things … Brian’s in the studio and working on a new album, a solo album, apparently with some guests and so on. Then Bruce and I, John Cowsill is our drummer, and my son Christian Love sings Carl’s parts on “Kokomo” and “Good Vibrations” so we’re out again doing our thing and enjoying it tremendously.”
Ray Shasho: Mike, I personally want to thank you and The Beach Boys for donating monies for so many humanitarian efforts. I understand you personally donated a large sum to Katrina victims.
Mike Love: “Yes and we also did some for Hurricane Sandy … whenever you can use your celebrity to help raise money for necessary causes, non profit or environmental groups or whatever it may be, I think it’s a great use of your persona and time , it’s a real positive thing.”
Ray Shasho: You received the City Year’s “Seven Generations Award” recently?
Mike Love: “Yes, these are young people who volunteer to work in troubled schools with kids who otherwise would probably drop out. They work for a year and don’t make a lot of money but get a little bit of support from an organization that helps place them in these places. It’s really a good thing and there are some great stories in that. Because I started something years ago when George Bush, President number forty-one was in office, he started with the Points of Light Foundation and we were the first people to respond to the Points of Light challenge. Then we created something called ‘StarServe’ which is ‘Students Taking Action and Responsibility to Service.’ So because of that history and some of the other things we mentioned … support for nonprofit groups or environmental groups, Bruce and I are advisory board members for the SurfRider Foundation. So I was honored by this group with that award in Washington D.C. just a little while ago and that was nice. I wear that jacket with pride.”
Ray Shasho: Mike, here’s a question that I ask everyone that I interview, If you had a “Field of Dreams” wish, like the movie, to play or collaborate with anyone from the past or present, who would that be?
Mike Love: “You know… there’s too many people (all laughing). I’d love to do something with Smokey Robinson, I think he’s brilliant! I did a little something with Paul McCartney. Meaning, I suggested the bridge on “Back in the U.S.S.R.” when he came to the table in India playing that song on his acoustic guitar. I think everybody in rock and roll would like to do something with Paul McCartney so I’m not alone. But I think Smokey Robinson was great, I was buddies with Marvin Gaye and it was tragic what happened to him. But I think Smokey Robinson and Paul McCartney would be great to work with.”
Ray Shasho: “Back in the U.S.S.R” is definitely a Beach Boys tune.
Mike Love: “It is, when I was in India with The Beatles, they got thinking in those terms… McCartney did anyway.”
Ray Shasho: Mike, thank you so much for being on the call today but more importantly for all the incredible Beach Boys songs over the years and into the future. We’ll see you at the Seminole Hard Rock in Tampa on July 18th.
Mike Love: “Thanks Ray!”

The Beach Boys will be performing at Tampa’s Seminole Hard Rock Hotel & Casino on July 18th at 8:30 p.m., as part of the Hard Rock Heatwave summer event promotion. Tickets for the 21and over concert are $69 and available through Ticketmaster outlets, the Hard Rock Store inside the casino at 5223 Orient Rd, or charge by phone at 1-800-745-3000. Visit the Seminole Hard Rock Tampa official website at www.seminolehardrocktampa.com.

The Beach Boys official website www.thebeachboys.com
The Beach Boys on Facebook www.facebook.com/thebeachboys
Beach Boys TOUR DATES.
Mike Love on Facebook www.facebook.com/OfficialMikeLove
Purchase …
That’s Why God Made the Radio (The Beach Boys most recent studio album)
The Smile Sessions Deluxe Box Set
The Beach Boys Live -The 50th Anniversary Tour (their double- disc live CD)
Made in California (a 6-CD career retrospective Box Set featuring more than 7 1/2 hours of music from 1961 to present day -Pre-orders are accepted).
… all releases available at amazon.com.

Very special thanks to Ivonne Snavely and Jay Jones.

Coming up next … My recent interview with Dave Davies, legendary guitarist for The Kinks.

Contact classic rock music journalist Ray Shasho at rockraymond.shasho@gmail.com

Purchase Ray’s very special memoir called ‘Check the Gs’ -The True Story of an Eclectic American Family and Their Wacky Family Business … You’ll LIVE IT! Also available for download on NOOK or KINDLE edition for JUST .99 CENTS at amazon.com or barnesandnoble.com - Please support Ray so he can continue to bring you quality classic rock music reporting.

~~Pacific Book Review says Ray Shasho is a product of the second half of the 20th century, made in the USA from parts around the world, and within him is every trend in music, television, politics and culture contributing to his philosophical and comically analytical reflections collected in his fine book of memories. I found Check the Gs to be pure entertainment, fantastic fun and a catalyst to igniting so many memories of my own life, as I too am within a few years of Ray. So to all, I say if you have a bit of grey hair (or no hair), buy this book! It’s a great gift for your “over-the-hill” friends, or for their kids, if they are the history buffs of younger generations trying to figure out why we are the way we are.


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Thursday, May 30, 2013

Chuck Negron of Three Dog Night Interview: Happy Together Tour 2013

 


By Ray Shasho



Chuck Negron is the discernible voice and founding member for American rock legends Three Dog Night. Between 1969 and 1975, the group spawned (21) consecutive Billboard Top 40 hits with (3) reaching the number one spot. The group generated twelve straight gold albums and sold nearly 50 million records by late 1975. Nobody sold more records or concert tickets during this period than Three Dog Night.

The band prevailed by recording cover tunes penned by new and gifted songwriters while executing soulful & hip musical harmonies and delivering dynamic stage performances. Three Dog Night became one of the most commercially successful rock/pop groups of all-time and helped to launch the careers of countless music artists that would eventually become legendary. Some of Three Dog Night’s opening acts were …Rod Stewart, Aerosmith, ELO, Uriah Heep and co-headlining with Led Zeppelin.

The Happy Together Tour 2013 will spotlight Chuck Negron along with The Turtles (featuring Flo and Eddie), Gary Puckett of the Union Gap, Mark Lindsay of Paul Revere & the Raiders and Gary Lewis of The Playboys. The tour kicks off on June 8th (Chuck Negron’s birthday) in Biloxi, Mississippi and arrives at Ruth Eckerd Hall in Clearwater on Friday June 14th. Five legendary music artists that have generated over (60) Top 40 hits (half in the Top10) including (6) number one hits. The tour will span 54 cities in the U.S. and Canada.
Tickets for the Ruth Eckerd Hall show are available at www.rutheckerdhall.com or by calling 727-791-7400.

CHUCK NEGRON was brought up in Bronx, New York by a Puerto Rican father and a British mother. Chuck became a street-corner doo-wop singer on the streets of New York. At age 15 he recorded his first single with the vocal group The Rondells. The band performed to a cheering audience during Amateur Night at the world famous Apollo Theater in Harlem. Besides his interest in music, Negron was also a star basketball player. He accepted an athletic scholarship to Allan Hancock College in Santa Maria, California. He was later recruited by Bill Sharman, coach at Cal State in Los Angeles, but eventually chose a career in music.
In 1965, Negron and the Sorenson Brothers released two singles “Sharon Lee” and “I Dream of An Angel.”  After his success with the Sorenson Brothers, Negron was signed to Columbia Records as singer Chuck Rondell.
Chuck Negron met performer Danny Hutton at a Hollywood party. Chuck Negron, Cory Wells and Danny Hutton recorded three demos with Brian Wilson of The Beach Boys under the name “Redwood.” Wilson wanted to sign the trio to a recording contract but the rest of The Beach Boys became impatient wanting to complete their own projects.

Three Dog Night was formed in 1967 by Chuck Negron, Cory Wells and Danny Hutton. The vocal trio was deeply rooted in R&B, rock and roll, and urban doo-wop, but the bands musical styles were unparalleled. The trio had hired backup musicians that included Jimmy Greenspoon on organ, Joe Shermie on bass, Mike Allsup on guitars and Floyd Sneed on drums. The group was signed to the Dunhill/ ABC Label.
Since his teenage years in New York, Negron had developed a rapport with songwriters. Because of his relationships, those writers introduced Chuck to new, up and coming songwriters. So Negron brought in a Harry Nilsson penned tune entitled “One” (Is the loneliest number) to the band. Soon after recording it, the song climbed to #5 on Billboard’s Hot 100 chart in 1969 and became their first gold record.

Their self-titled debut album Three Dog Night (released in 1968, also known as “One”) spawned the hits “One” and “Try a Little Tenderness” (#29 Billboard Hot 100 Hit). Suitable for Framing their second LP, spotlighted Negron’s beautiful yet haunting vocalizations on “Easy To Be Hard” (#4 Billboard Hot 100 Hit), “Eli’s Coming” (#10 Billboard Hot 100 Hit) A Laura Nyro composition and “Celebrate” a tune penned by Gary Bonner & Alan Gordon.

Three Dog Night Captured Live at the Forum (#6 on Billboard’s Hot 100) was released in 1969. The live performance was recorded in support of a Steppenwolf concert. Negron disclosed that Steppenwolf was the group that gave Three Dog Night its first big break.

It Ain’t Easy (1970) their fourth release, produced Three Dog Night’s second number one single, a Randy Newman cover song entitled “Mama Told Me (Not to Come).”
In November of 1970, the group released Naturally. The LP generated the bands biggest selling single of all-time Hoyt Axton’s, “Joy To The World” (#1 Billboard Hot 100 Hit) sung by Chuck Negron. The tune was multi- Grammy nominated and became Billboard’s “Record Of The Year” for1971.The album also produced the hits “Liar” (#7 Billboard Hot 100 Hit) and “One Man Band” (#19 Billboard Hot 100 Hit).

In 1971Three Dog Night released a compilation of their hits called Golden Biscuits.

Harmony (1971)Three Dog Night’s seventh album featured two Top 10 hits … Paul Williams “Old Fashioned Love Song” (#4 Billboard Hot 100 Hit) and Hoyt Axton’s “Never Been to Spain” (#5 Billboard Hot 100 Hit).
In 1972, Three Dog Night released Seven Separate Fools which spawned the bands third number one hit “Black and White” written by David I. Arkin and Earl Robinson. The album also generated a David Loggins composition entitled “Pieces of April” (#19 Billboard Hot 100 Hit). The arrangement was artistically performed by Chuck Negron.
Cyan was released in 1973 spawning the hit “Shambala” (#3 Billboard Hot 100 Hit) written by Daniel Moore. The album was succeeded by Hard Labor in 1974 which produced the single “The Show Must Go On” (#4 Billboard Hot 100 Hit) written by David Courtney and Leo Sayer, and was followed by the album Coming Down Your Way. “Til The World Ends” from Coming Down Your Way in 1975 was Three Dog Night’s last Top 40 hit.   

Three Dog Night disbanded in 1976 but reunited in 1981. The band recorded It’s a Jungle in 1983 and it became the final album to feature the original singing trio. Negron’s drug problem became a hindrance and was dismissed from the band in 1985. 

To date …Three Dog Night sold over ninety million records worldwide.
The band continues to tour with original members Cory Wells, Danny Hutton, Jimmy Greenspoon and Michael Allsup.

Chuck Negron’s solo career released four CD’S … Am I Still In Your Heart (1995), Joy To The World (Christmas CD 2001), The Long Road Back (1999) and Chuck Negron-Live In Concert (2001).

In 1999 Negron wrote his autobiography entitled … Three Dog Nightmare: The Chuck Negron Story. He followed its success with a second book … Three Dog Nightmare: The continuing Chuck Negron Story. The book describes his horrendous drug abuse including terrifying near- death experiences that encompassed two decades and the miracle that saved his life on September 17, 1991. Chuck has remained sober ever since. He remains active with several of the organizations whose focus is to help keep drugs out of the music industry. Chuck also helps the addicted. Cri-Help Drug and Alcohol Treatment in North Hollywood was extremely essential to Negron’s recovery.

Chuck Negron performs 70 shows a year and will be featured on this year’s Happy Together Tour 2013.

I had the great pleasure of chatting with Chuck Negron recently about life before, during, and after Three Dog Night.
Here’s my interview with the legendary voice of Three Dog Night … CHUCK NEGRON.
Ray Shasho: How are you doing Chuck, where are you calling from?
Chuck Negron: “I’m good … Southern California.”
Ray Shasho: You’ll be kicking off the Happy Together Tour on your birthday, June8th in Biloxi, Mississippi and will be arriving at Ruth Eckerd Hall in Clearwater on Friday June 14th. Is this your first time on the tour?
Chuck Negron: “I’ve done Hippiefest. I’ve worked with Mark Volman and Howard Kaylan and actually worked with everybody but Mark Lindsay before, but yeah, it’s a great show!”
Ray Shasho: So you could have been the first NBA Rock Star?
Chuck Negron: “(Laughing) Yea, I started as an All-City ballplayer in New York back in the day when there were some historical names; it’s embarrassing just to mention them because that’s how old I am … Billy Cunningham, Connie Hawkins and Kareem Abdul-Jabbar, he was a sophomore when we all graduated. Then Bill Sharman who played for the Boston Celtics with Bob Cousy as the other guard, and went on to coach the Lakers to that record, the longest winning streak ever as their coach. Anyway, he brought me out to Cal State LA and when I got there he went off to the ABA. I kept playing until Columbia Records would sign me.”

“They’d say why did you miss this recording session; I heard you told someone you had a game? I said basketball. The guy said you can play ball if you want to but you can’t do both. So I left college and that was the end of my basketball career.  Once I got that deal with Columbia records, my focus was different. I was working on the weekends, singing with different bands, and then my own band and I lost my focus. I understand why they made me choose because now they knew they had my full attention.”
Ray Shasho: How tall are you Chuck?
Chuck Negron: “I’m just 6 foot 1; let me tell you something, I felt like a midget until I got into rock and roll. I was a shooting guard … just give me the ball and I’ll shoot it (Laughing).”
Ray Shasho: I wanted to let all my readers know about your basketball career … my neighbor here in the Bradenton/Sarasota area is Dick Vitale.
Chuck Negron: “What a fascinating and positive man that guy is. And way beyond broadcasting … a great coach and has had a wonderful career in basketball.  He’s one of those guys I enjoy listening to.”
Ray Shasho: I understand your father was Puerto Rican and your mom British?
Chuck Negron:”Yea-yea, my father was eating food, playing music and dancing and my mother was scrutinizing him (All laughing). As a matter of fact I just got back from Puerto Rico. I’m very close to my Puerto Rican family because they’re the family that’s alive. My mother and her family, most of them passed away except for some of my cousins. I went down to Puerto Rico and was inducted into the Puerto Rican music hall of fame.”
Ray Shasho: You always had the coolest mustache, I knew there had to be Latin roots somewhere (Laughing).
Chuck Negron: “I have a great-great grandfather that has a big ole’ stash like mine except his is even higher.”
Ray Shasho: Do speak Spanish?
Chuck Negron: “You know what … unfortunately I don’t. It’s embarrassing, especially when I go to Puerto Rico and meet the family and you’re the only one who doesn’t speak Spanish. Back then the families wanted to assimilate, so they didn’t want to teach their kids. You picked it up by them speaking Spanish in the house and in my house they weren’t because my mother was English. The only ones trying to teach me Spanish was my grandmother and grandfather and I wasn’t into it.”
Ray Shasho: Chuck, who were some of the musicians that got you interested in music?
Chuck Negron: “Ray, for me, it was that I heard different songs and I found out the writers that were writing all these songs, it was the song and the music, it was … Goffin and King, Leiber and Stoller, Mann and Weil, Bacharach and David … but the people who were doing them back then was Ben E. King, The Drifters, Jackie Wilson, Sam Cooke … and of course these artists were unbelievable vocally. There were a lot of great vocalists including Johnny Mathis who did a whole different thing, but when he was young, that first album, I just never heard anybody sing like that and that’s where “Easy to Be Hard” came from and the other side of me, and the other side of “Joy to the World.”  It was hearing (this could be cool) someone singing soft and sweet. But it was the R&B stuff and just the great-great writers.”
Ray Shasho: Three Dog Night produced so many great hits from songwriters that had music that either wasn’t going anywhere or was brand new?
Chuck Negron: “When I picked “One” it wasn’t even out yet. They weren’t even treating Harry Nilsson as a singer/songwriter because the hit they had was “Everybody’s Talkin” which he didn’t write. As a matter of fact the two big hits he had he didn’t write. But my years in the Brill Building and Tin Pan Alley and trying to get to the songs … my thing was not to get to the bands, it was to get to the songs. When I came to Three Dog Night, I went back to all these publishers that I met when I was on Columbia Records. I put most of those songs together and brought them to Three Dog Night. When we met Randy Newman, his first album was out and he couldn’t get arrested. We started doing his stuff and helped him, and of course his great writing helped him too.”
Ray Shasho:  Three Dog Night began churning out Top 40 hits during a period when many of the 60’s Hit Makers were disappearing and hard rock albums were emerging.   
Chuck Negron: “We sold more concert tickets than anybody. We were selling out stadiums! Led Zeppelin approached our management to do a concert and we did a co-bill with them on a date we already had. We had it sold-out. We were basically there because we wanted them to sign with our management company. We were doing this way before anyone and a long time after and kept doing it. The band doesn’t have the cachet that some bands had and it’s a shame because we sold more tickets, we sold more records, more people loved us …and it’s ridiculous.”
Ray Shasho: I chatted with Mick Box of Uriah Heep several weeks ago and he was saying that his first American show was supporting Three Dog Night.
Chuck Negron: “Our manager heard them when they were in London and when we were over there we brought them over. They did a whole tour with us. We helped break them. These bands don’t say it, but without us, nobody would know who those guys were. They were playing in front of 20-25,000 people a night and they were a club band. But I like the guys with Uriah Heep.” 

“It’s interesting … we recorded the very first Elton John song; I was the first guy to ever sing an Elton John song. We went to London and he and Bernie followed us everywhere and took us to the studio and played their first album, and you very rarely hear Elton John say anything about how Three Dog Night helped them. It’s just a weird thing … guys complementing other guys is uncomfortable for them in some way.”
Ray Shasho: Hey, if anyone gave me my first big break, I’d be indebted to that person for the rest of my life … unfortunately that’s never happened.
Chuck Negron: “Trust me, I don’t get it. I always thank Steppenwolf because we opened up for them and if I were John Kay I would have fired us because after the first show they could not follow us. John let us open for him and without him no one would have known us. So I’m very grateful to him and the fact that he kept us on the tour, because if I was him, I wouldn’t have.”
Ray Shasho: On your website bio, you said that you never had record company interference in the band … explain why?
Chuck Negron: “We had a couple of producers, Brian Wilson being the first one, and it never worked out because of the family …in any rate, then we went to Steve Barri who was their big guy (The Grass Roots) and he didn’t work out, then we did Van Dyke Parks (Brian Wilson) and that didn’t work out. So by the time we were getting our last producer we told the record company, look, just let us do what we do. They said okay. What happened next is that we had a million- seller (“One”) and the record went like triple platinum. So when we went in to renegotiate the next album, we said we needed artistic control because it worked for us. And they said … no problem it works. So we had artistic control and the only time they ever called us was when we were late on one album and didn’t think we were going to make it on time, but we did.  But we had total control, and as long as we were having hits, which we did from day one to the end, they didn’t interfere.”   

“When it all ended is when Jay Lasker decided to move on to Motown and they brought in an accountant. It was the years when all the artistic people were eliminated or fired and they brought in accountants. The guy said you can’t have artistic control and we said we already do and it was the end of us. We couldn’t work like that.”
Ray Shasho: Chuck, I did read your book Three Dog Nightmare and it scared the crap out of me.
Chuck Negron: “It scared the crap out of me too.”
Ray Shasho: My cousin David and I shared a rock and roll journey together when we were teenagers including attending a ridiculous amount of rock concerts together and unfortunately he didn’t survive his addiction. I’m so glad you made it man.
Chuck Negron: “This is a fact, the difference between an addict and a normal person… the normal person can get far enough away from it or a moment of clarity where they just clean up. But an addict is mentally and physically addicted and obsessed and some never get to walk away and they die.”
Ray Shasho:  My cousin went to several different rehabs but unfortunately it didn’t help.
Chuck Negron: “I used these places as places just to get the pressure off.”
Ray Shasho: Chuck, I’m so glad you’re back on the straight and narrow, there’s been too much cataclysm in rock and roll.
Chuck Negron: “It will be twenty two years in a couple of months. I have been blessed with that.”
Ray Shasho: I heard an interview that you did explaining why you couldn’t reunite with Three Dog Night because Danny Hutton didn’t want to feel irrelevant or like a second or third wheel again?
Chuck Negron: “It never will because he’s the guy who put the band together and he saw it all slip out from under his fingers and there’s nothing sadder than a guy trying to cling on to something or control something that is out of his control. It was really hard on him and he really suffered many years because of that and coming from number one to becoming kind of irrelevant. He will never let that happen to him again. It’s a shame and the fans lose out. We can never duplicate that harmony again unless the three of us sing it.”
Ray Shasho: Chuck, here’s a question that I ask everyone that I interview, If you had a “Field of Dreams” wish, like the movie, to play or collaborate with anyone from the past or present, who would that be?
Chuck Negron: “Jackie Wilson”
Ray Shasho: Chuck, thank you for being on the call today and more importantly for all the incredible Three Dog Night music that you gave us and music you continue to bring. We’ll see you on the Happy Together Tour.
Chuck Negron: “Thank you so much Ray!”

The Happy Together Tour 2013 will spotlight Chuck Negron along with The Turtles (featuring Flo and Eddie), Gary Puckett of the Union Gap, Mark Lindsay of Paul Revere & the Raiders and Gary Lewis of The Playboys. The tour kicks off on June 8th (Chuck Negron’s birthday) in Biloxi, Mississippi and arrives at Ruth Eckerd Hall in Clearwater on Friday June 14th. Tickets for the Ruth Eckerd Hall show are available at www.rutheckerdhall.com or by calling 727-791-7400.

Chuck Negron official website www.chucknegron.com
Check out Happy Together Tour dates at www.pollstar.com
Chuck Negron on Facebook  www.facebook.com/chucknegron
Special thanks to Jeff Albright of The Albright Entertainment Group

Contact classic rock music journalist Ray Shasho at rockraymond.shasho@gmail.com

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