Showing posts with label Ray Shasho. Show all posts
Showing posts with label Ray Shasho. Show all posts

Tuesday, May 14, 2024

DAVE EDMUNDS ROCKABILLY LEGEND ‘THE LOST INTERVIEWS WITH RAY SHASHO’ EPISODE 8

 


D A V E 

E D M U N D S 

ROCKABILLY LEGEND

SINGER...SONGWRITER...GUITARIST

RECORD PRODUCER

1970 HIT SINGLE

"I HEAR YOU KNOCKING"

'THE LOST INTERVIEWS'

EPISODE 8

CLICK BELOW

TO LISTEN TO THE ENTIRE INTERVIEW!


Guitar hero DAVE EDMUNDS has never followed music trends, and throughout what Edmunds jokingly remarks as a “semi-retired” music career, has probably been more devout and grateful to the original rock and roll format than any other musician. Edmunds recently released his new album entitled ‘Rags & Classics’ via the MVD Entertainment Group. It’s an all-instrumental masterpiece that displays Edmunds’ proficient guitar work along with his brilliant multi-instrumental and production skills.


Recorded in his home studio, most of the cover tracks on the new album have never been performed as an instrumental and are extremely difficult to implement as a one-man band. 
 I really enjoyed ‘Rags & Classics,’ Edmunds did a remarkable job handpicking singles that are classics but rarely relished. Some of the more notable tracks are the Brian Wilson &Tony Asher “God Only Knows,” and the Elton John &Bernie Taupin ballad “Your Song,” Both tracks are remarkable instrumental renditions while acquainting the listener to a fresh prospective to an ageless classic.

‘Rags & Classics’ delivers an eclectic mix of captivating musical gratification … you’ll be delightfully swayed by Edmunds’ intricate instrumental renderings of Mason Williams’ “Classical Gas,” Procol Harum’s “A Whiter Shade of Pale,” tracks from Dave’s guitar heroes … Chet Atkins “Black Mountain Rag,” and Merle Travis “Cannonball Rag,” and a surprisingly but phenomenal finale to an exceptional album, Mozart’s Symphony No.40 in G Minor, Molto Allegro. Everyone will truly enjoy ‘Rags & Classics’ by guitar legend Dave Edmunds. ... (5) Stars! DAVE EDMUNDS, Welsh guitarist, singer, songwriter, and producer has collaborated with some of the greatest musicians the world will ever know, including longtime pal George Harrison. Edmunds is a 1950’s rock and roll purist and remains a loyalist to this day. After his stint with the blues/rock band Love Sculpture, Edmunds scored big with his cover hit “I Hear You Knocking” (1970), a song written by Dave Bartholomew & Earl King and first recorded by Smiley Lewis in 1955. Edmunds’ rendition added authentic rock and roll dynamism and landed at #1 at Christmas on the UK charts and #4 on Billboard’s Hot 100 in the U.S.  It sold over three-million copies, was awarded a gold disc, and became a rock and roll standard worldwide. In 1976, Edmunds began collaborating with British musician/singer/songwriter/producer Nick Lowe (Brinsley Schwarz) on several albums. Lowe and Edmunds were signed to different record labels and couldn’t record together as ‘Rockpile’ until 1980 when they released Seconds of Pleasure, their only album to feature the ‘Rockpile’ band name.


Drummer Terry Williams and guitarist Billy Bremner were also in the group. Critics and music enthusiasts adored Rockpile. Edmunds describes Rockpile’s short and sweet musical career as a party band for four years which they never took seriously. Rockpile was also hailed as a band that laid the groundwork for ‘new wave.’ 
Between 1976 and 1981, Dave Edmunds released four albums on Led Zeppelin’s Swan Song Records. After Edmunds and Lowe went their separate ways, Edmunds collaborated and produced albums for an assortment of friends and musicians including … Paul McCartney, King Kurt, Stray Cats, Fabulous Thunderbirds, Status Quo, the Everly Brothers, Johnny Cash, and the Flamin’ Groovies.

Edmunds also collaborated with singer, songwriter, composer, arranger, multi-instrumentalist and record producer Jeff Lynne of the Electric Light Orchestra. Edmunds released a song written by Lynne entitled “Slipping Away” which became a Top 40 hit in 1983. In 1985, Edmunds arranged and became the musical director of Blue Suede Shoes: A Rockabilly Session, a televised concert held in London, England, featuring … Edmunds, Carl Perkins George Harrison, Ringo Starr and Eric Clapton. It was the first public performance by George Harrison in more than ten years. Dave Edmunds was selected to play in Ringo Starr’s All-Starr Band for tours in 1992 and 2000.

Studio albums:

-Love Sculpture: Blues Helping (1968), Forms and Feelings (1970)

-Brewers Droop: The Booze Brothers (recorded 1973, released 1989)

-Rockpile: Seconds of Pleasure (1980)

-Dave Edmunds: Rockpile (1972) ,Subtle as a Flying Mallet (1975),Get It (1977),  Tracks on Wax 4 (1978), Repeat When Necessary (1979), Twangin (1981), D.E. 7th (1982), Information (1983), Riff Raff (1984), Closer to the Flame (1990), Plugged In (1994),Hand Picked: Musical Fantasies (1999), Again ( 2013), Rags & Classics ( 2015)

I had the rare pleasure of chatting with David Edmunds recently about his new all- instrumental cover album ‘Rags & Classics,’ the inception of “I Hear You Knocking,” Rockpile, Nick Lowe, Carl Perkins, George Harrison, my infamous ‘Field of Dreams’ question and much-much more!

I’d like to dedicate this ‘Lost Interview’ to my good friend, fellow broadcaster, and music enthusiast Tom Cobb. Enjoy the legendary music in heaven.

 Rest In Peace Brother! 










 

THE ROCK STAR CHRONICLES

BOOK TRAILER

 

BOOK REVIEW

-By Literary Titan (5) STARS

The Rock Star Chronicles by Ray Shasho, is a splendid book written by a music enthusiast who has poured their heart and soul into it. It’s a story of a boy who loved rock music, and his obsessive passion of it earned himself the name Rock Raymond. He went to school but instead was schooled in all matters of music while his peers were buried chin-deep in coursework. He then became a radio DJ and has now compiled a book on all interviews he held with Rock gods who raided the airwaves back in the 70s and 80s. It’s a compilation of interviews with outstanding vocalists, legendary guitarists and crazy drummers in the rock music scene. Each interview gives a reader an in-depth view into their personal lives and the philosophies that guide their lives which all serve to humanize these great icons. For readers who are old enough to call themselves baby boomers this book will bring old memories back to life. Millennials, on the other hand, may think of this book as a literal work of the Carpool Karaoke show. 

The Rock Star Chronicles is a book I didn’t know I was waiting for. To come across a book that will talk me into trying something new. One brave enough to incite me to venture into new frontiers. This book made me a believer- I am now a bona fide Rock and Roll music fan. 

Ray Shasho masterfully gets the interviewees talking. He smartly coaxes answers from them with crafty questions designed to get a story rolling out of them. The artists talk about diverse issues ranging from music, politics, and their social engagements. Having been on the music seen all his life, Ray Shasho knows the buttons to press, how to get them comfortable about talking about their lives. 

The book’s cover is befitting of its subject matter with the leather look offering a royal background to the golden letter print. It speaks to how high a level rock music holds in the pecking order- arguably, modern music as we know it has originated from blues and rock music.  The second noteworthy thing is the use of high-definition pictures to reference the musician being interviewed in every sub-chapter. This ensures that the book is for both original rock and roll lovers and aspiring new ones. Together is makes for a refreshing and consistently enjoyable read.

I recommend this book to rock music enthusiasts, aspiring musicians wondering what it takes and all readers curious to learn new things by going back in time.

https://literarytitan.com/2020/05/03/literary-titan-book-awards-may-2020/   

Gold Award Winner



MORE BOOKS BY RAY SHASHO




RESERVE YOUR SPOT TODAY
 
TO BE PART OF MUSIC HISTORY!

CALL 941-567-6193

WHAT ARE YOU WAITING FOR??? 

Thursday, May 9, 2024

AL KOOPER 'THE MAN...THE MYTH...THE LEGEND' THE LOST INTERVIEWS WITH RAY SHASHO EPISODE 6

 




A  L

 K O O P E R

THE MAN...THE MYTH...THE LEGEND

THE LOST INTERVIEWS 

EPISODE SIX

with Ray Shasho

THE MAN THAT DISCOVERED

 LYNYRD SKYNYRD

SINGER, SONGWRITER, MULTI-INSTRUMENTALIST

PRODUCER, MANAGER, SESSION PLAYER

CLICK BELOW 

TO LISTEN TO THE ENTIRE INTERVIEW


Al Kooper (born Alan Peter Kuperschmidt) is a retired American songwriter, record producer, and musician. He is known for joining and naming Blood, Sweat & Tears, although he did not stay with the group long enough to share its popularity. Throughout much of the 1960s and 1970s, he was a prolific studio musician, playing organ on the Bob Dylan song “Like a Rolling Stone” and lead guitar on Rita Coolidge’s “The Lady’s Not for Sale.” Kooper also produced one-off collaboration albums, such as the Super Session album where he worked separately with guitarists Mike Bloomfield and Stephen Stills.


In the 1970s, he was a successful manager and producer, recording Lynyrd Skynyrd’s first three albums. He has had a successful solo career, writing music for film soundtracks, and has lectured in musical composition. Al Kooper was selected for induction into the Rock and Roll Hall of Fame in 2023. 
Kooper’s early life began in Brooklyn, New York City, where he was born into a Jewish family. He grew up in Hollis Hills, Queens, New York. His musical journey started as a 14-year-old guitarist in the Royal Teens, best known for their 1958 novelty song “Short Shorts.” Later, he teamed up with songwriters Bob Brass and Irwin Levine to write and record demos for Sea-Lark Music Publishing, resulting in hits like “This Diamond Ring” and “I Must Be Seeing Things.” His association with Bob Dylan led to performances playing the Hammond organ on “Like a Rolling Stone” and collaborations with guitarist Mike Bloomfield. Kooper also joined the Blues Project as their keyboardist in 1965. 


Although he left the band before their gig at the Monterey Pop Festival in 1967, he played a solo set during the event. 
Kooper discovered Lynyrd Skynyrd in 1972 after watching several of their appearances at a frequented club in Atlanta. Al moved to Atlanta and signed the band to his new record label ‘Sounds of the South.’ (He would eventually sell the label to MCA Records). Al Kooper produced and performed on Lynyrd Skynyrd’s first (3) albums…  (‘Pronounced ‘LÄ•h-‘nérd ‘Skin-‘nérd, Second Helping, and Nuthin’Fancy). Also, on the singles “Sweet Home Alabama,” “Free Bird,” and “Saturday Night Special.” Al Kooper produced The Tubes, David Essex, Nils Lofgren, Rick Nelson, Ray Charles, The Staple Singers, Bob Dylan, and Lynyrd Skynyrd … to name just a few. He also played and arranged three tracks on George Harrison’s ‘Somewhere in England’ album and performed with the remaining Beatles … George Harrison, Paul McCartney, and Ringo Starr, on Harrison’s Hit single “All Those Years Ago” (U.S. #2 Billboard Hot 100 Hit in 1981).

Kooper has also written and composed on countless albums and scores for television and motion pictures. Al Kooper’s musical contributions have left a lasting impact, and his diverse career spans multiple genres and roles in the music industry. Whether playing keyboards, producing albums, or composing music, Kooper’s legacy continues to resonate with music enthusiasts worldwide. 

 


PURCHASE

BACKSTAGE PASSES & BACKSTABBING BASTARDS 

MEMOIRS OF A 

ROCK 'N'ROLL 

SURVIVOR

by Al Kooper (Author)

One of the funniest rock memoirs ever, Al Kooper's legendary Backstage Passes is available again! Al's quirky life, from would-be teenage rocker, to crashing Bob Dylan's recording session and playing the organ on Highway 61, to forming Blood, Sweat, and Tears and masterminding the Super Sessions, it's all here...plus, in this updated version, Al rides with us all the way back to the end of the 20th century. There has never been a more wickedly humorous and honest book by a man who has made such rock history.











THE ROCK STAR CHRONICLES

BOOK TRAILER

 

BOOK REVIEW

-By Literary Titan (5) STARS

The Rock Star Chronicles by Ray Shasho, is a splendid book written by a music enthusiast who has poured their heart and soul into it. It’s a story of a boy who loved rock music, and his obsessive passion of it earned himself the name Rock Raymond. He went to school but instead was schooled in all matters of music while his peers were buried chin-deep in coursework. He then became a radio DJ and has now compiled a book on all interviews he held with Rock gods who raided the airwaves back in the 70s and 80s. It’s a compilation of interviews with outstanding vocalists, legendary guitarists and crazy drummers in the rock music scene. Each interview gives a reader an in-depth view into their personal lives and the philosophies that guide their lives which all serve to humanize these great icons. For readers who are old enough to call themselves baby boomers this book will bring old memories back to life. Millennials, on the other hand, may think of this book as a literal work of the Carpool Karaoke show. 

The Rock Star Chronicles is a book I didn’t know I was waiting for. To come across a book that will talk me into trying something new. One brave enough to incite me to venture into new frontiers. This book made me a believer- I am now a bona fide Rock and Roll music fan. 

Ray Shasho masterfully gets the interviewees talking. He smartly coaxes answers from them with crafty questions designed to get a story rolling out of them. The artists talk about diverse issues ranging from music, politics, and their social engagements. Having been on the music seen all his life, Ray Shasho knows the buttons to press, how to get them comfortable about talking about their lives. 

The book’s cover is befitting of its subject matter with the leather look offering a royal background to the golden letter print. It speaks to how high a level rock music holds in the pecking order- arguably, modern music as we know it has originated from blues and rock music.  The second noteworthy thing is the use of high-definition pictures to reference the musician being interviewed in every sub-chapter. This ensures that the book is for both original rock and roll lovers and aspiring new ones. Together is makes for a refreshing and consistently enjoyable read.

I recommend this book to rock music enthusiasts, aspiring musicians wondering what it takes and all readers curious to learn new things by going back in time.

https://literarytitan.com/2020/05/03/literary-titan-book-awards-may-2020/   

Gold Award Winner



MORE BOOKS BY RAY SHASHO




RESERVE YOUR SPOT TODAY
 
TO BE PART OF MUSIC HISTORY!

CALL 941-567-6193

WHAT ARE YOU WAITING FOR??? 

Sunday, May 5, 2024

MICHAEL PINDER MOODY BLUES LEGEND/ MASTER OF THE MELLOTRON/ROCK AND ROLL HALL OF FAMER/ ‘THE LOST INTERVIEWS WITH RAY SHASHO’ EPISODE 5

 

 


M I C H A E L

P I N D E R 

“Micky the Moonboy” 

(December 27 1941 – April 24 2024)

'THE LOST

 INTERVIEWS'

EPISODE 5

MASTER OF THE MELLOTRON

WITH

T H E  M O O D Y  B L U E S

CLICK BELOW

 TO LISTEN TO THE ENTIRE INTERVIEW


Michael Pinder was affectionately labeled “Micky the Moonboy” as a youth for his preoccupation of the moon, stars, music and electronics. But who could have predicted that a silly nickname perhaps more suited for a sci-fi cartoon superhero would forecast his destiny. Pinder’s fascination with the cosmos and a life-changing realization that we are not alone in the universe became the basis for composing intricate and surreal musical masterpieces. Michael played Hymns on the piano in Church every Sunday at his Colonel’s request; in return Pinder received an early discharge from the British Army. Pinder asked for the early-out after hearing The Beatles “She Loves You” on the radio. Ten days later, Pinder was back in Birmingham, England. He quickly found a job working with Streetly Electronics where he learned the mechanics of the Mellotron. Michael Pinder would become an illustrious keyboardist and trendsetter for the instrument. In 1964 … Michael Pinder (piano, organ and vocals) and Ray Thomas (tambourine, flute and vocals) formed The Moody Blues along with members …Denny Laine (guitars, harmonica and lead vocals), Clint Warwick (bass guitar and vocals) and Graeme Edge (drums and vocals).

The R&B/Rock/Pop Birmingham band scored a Top 10 hit in the U.S. with “Go Now” (1965) from their debut album The Magnificent Moodies. The Moody Blues became part of ‘The British Invasion’ and supported The Beatles on their final UK tour in December of 1965. They followed the tour with their first trip to the U.S. appearing on The Ed Sullivan Show. In 1966 … after the departure of Denny Laine and Clint Warwick … The Moody Blues reformed with old friend John Lodge (bass guitar and vocals) and Justin Hayward (lead vocals and guitars) who was recommended to Pinder by Eric Burdon of The Animals. The band had an awakening after a disgruntled audience member visited their dressing room complaining about their music. The group immediately changed their musical direction and style, hence … the commencement of one of the most amazing transformations in rock history. Meanwhile …Michael Pinder suggested to his friend John Lennon that The Beatles use the Mellotron on Magical Mystery Tour …and they did. Pinder’s Mellotron influence is undeniably detected on “Strawberry Fields Forever.” Pinder and bandmate Ray Thomas were also invited to play harmonica on the tracks… “I Am the Walrus” and “The Fool on the Hill.” 

“In 1967 …The Moody Blues first attempt at a dissimilar musical direction had consummated with an awe-inspiring masterpiece entitled… Days of Future Passed. It would be the first Decca/Deram Records release in stereo. Michael Pinder’s Mellotron ingrained a brave new transcendental manner and Progressive Rock was born. The proficient players of The Moody Blues were also accompanied by The London Festival Orchestra while creating the band’s first concept album. Days of Future Passed spawned two of the band’s biggest commercial hits with its new lineup … “Nights in White Satin” and “Tuesday Afternoon.” Pinder wrote the tracks… “Dawn is a Feeling” and “The Sunset.” Pinder’s dramatic reading of “Late Lament” added a mind-blowing conclusion to a superlative album. Producer Tony Clarke’s influence also had a huge impact on the group.


The Moody Blues subsequent release … In Search of the Lost Cord (1968) was recorded without an orchestra … although Pinder’s ingenious performance on the Mellotron often sounded like a symphony. Pinder composed “The Best Way to Travel” and “Om” on the album. “Ride My See-saw” became a commercial hit for the band. 
In 1969 … The Moody Blues released On the Threshold of a Dream. The group’s signature sound became exclusive to the rest of the rock world. Pinder had considerable songwriting duties on the album with … “So Deep Within You,” “Have You Heard (Part 1),” “The Voyage,” and “Have You Heard (Part 2).” Inspired by the 1969 moon landing …To Our Children’s Children’s Children was their first album released on the band’s newly formed Threshold Records. The band followed the critically acclaimed release with … Question of Balance (1970). Pinder penned … “How Is It (We are Here)” and his proverbial classic … “Melancholy Man.” Every Good Boy Deserves Favour was released in 1971. For the first time, the entire band lyrically collaborated on “Procession” the opening track. Michael Pinder also penned the final track on the album entitled … “My Song.” The release spawned yet another Top 40 hit with … “The Story in Your Eyes.” Also in 1971 … Pinder played tambourine on John Lennon’s Imagine album on the track … “I Don’t Wanna Be A Soldier Mama.” Seventh Sojourn released in 1972 brought an end to the classic Moody Blues era. Michael Pinder penned … “Lost in a Lost World,” and “When You’re a Free Man.”

The album also spawned… “I’m Just a Singer (In a Rock and Roll Band) and became one of the bands highest charting hits reaching #12 on Billboard’s Hot 100 in the U.S. Pinder also substituted the Mellotron with its precursor the Chamberlin. In 1976 …Pinder released his solo album entitled … The Promise.  After a lengthy hiatus, The Moody Blues released Octave (1978). Michael Pinder departed the band during the sessions but contributed… “One Step Into the Light.” Pinder was replaced by YES Swiss keyboardist Patrick Moraz. Without Pinder’s Mellotron and Chamberlin influence, The Moody Blues intricate progressive period was over.

The Moody Blues continue to tour and record as a band with Justin Hayward, John Lodge and Graeme Edge (the only original band member left in the group).  In 1994 …Pinder released his solo effort … Among the Stars (a private mail order release). MOST RECENTLY … Esoteric Recordings has released Michael Pinder’s 3-Disc CD & DVD set of ‘The Promise (1976) & Among the Stars’ (1994) plus new bonus material featuring Michael’s sons (The Pinder Brothers) and Ray Thomas (The Moody Blues) on flute. I had the rare pleasure of chatting with Michael Pinder recently. We chatted about his remarkable days with The Moody Blues, his relationship and influence on The Beatles, and UFO’S! Here’s my interview with legendary Moody Blues singer, songwriter, keyboardist, Mellotron pioneer, and technological beneficence to the music world …MICHAEL PINDER.












 

THE ROCK STAR CHRONICLES

BOOK TRAILER

 

BOOK REVIEW

-By Literary Titan (5) STARS

The Rock Star Chronicles by Ray Shasho, is a splendid book written by a music enthusiast who has poured their heart and soul into it. It’s a story of a boy who loved rock music, and his obsessive passion of it earned himself the name Rock Raymond. He went to school but instead was schooled in all matters of music while his peers were buried chin-deep in coursework. He then became a radio DJ and has now compiled a book on all interviews he held with Rock gods who raided the airwaves back in the 70s and 80s. It’s a compilation of interviews with outstanding vocalists, legendary guitarists and crazy drummers in the rock music scene. Each interview gives a reader an in-depth view into their personal lives and the philosophies that guide their lives which all serve to humanize these great icons. For readers who are old enough to call themselves baby boomers this book will bring old memories back to life. Millennials, on the other hand, may think of this book as a literal work of the Carpool Karaoke show. 

The Rock Star Chronicles is a book I didn’t know I was waiting for. To come across a book that will talk me into trying something new. One brave enough to incite me to venture into new frontiers. This book made me a believer- I am now a bona fide Rock and Roll music fan. 

Ray Shasho masterfully gets the interviewees talking. He smartly coaxes answers from them with crafty questions designed to get a story rolling out of them. The artists talk about diverse issues ranging from music, politics, and their social engagements. Having been on the music seen all his life, Ray Shasho knows the buttons to press, how to get them comfortable about talking about their lives. 

The book’s cover is befitting of its subject matter with the leather look offering a royal background to the golden letter print. It speaks to how high a level rock music holds in the pecking order- arguably, modern music as we know it has originated from blues and rock music.  The second noteworthy thing is the use of high-definition pictures to reference the musician being interviewed in every sub-chapter. This ensures that the book is for both original rock and roll lovers and aspiring new ones. Together is makes for a refreshing and consistently enjoyable read.

I recommend this book to rock music enthusiasts, aspiring musicians wondering what it takes and all readers curious to learn new things by going back in time.

https://literarytitan.com/2020/05/03/literary-titan-book-awards-may-2020/   

Gold Award Winner



MORE BOOKS BY RAY SHASHO




RESERVE YOUR SPOT TODAY
 
TO BE PART OF MUSIC HISTORY!

CALL 941-567-6193

WHAT ARE YOU WAITING FOR???